Wānanga Reo Pāpāho

 
 

 

955205: WĀNANGA REO PĀPĀHO

TE REO MĀORI FOR SCREEN PRODUCTION

Haere mai, nau mai ki tēnei akoranga

This course has been specially designed by Te Ara Poutama, in consultation with Ngā Aho Whakaari, to strengthen the use of Te Reo Māori for those in the Māori screen industry.  The aim is to develop oral communication skills through practical, situational and functional use of Te Reo Māori in the screen industry.

The course is delivered over two sessions, to be held during weekends in March and May 2012 by Erana Foster (Waikato, Ngāti Hako, Ngāti Maru, Ngāti Maniapoto) and Hohepa Maclean (Ngāti Kahu, Ngāti Hine). The first session in March is a Noho Marae, including a sleep-over for two nights. The second session in May is class-room based, without a sleep-over. The course is open to all, regardless of previous knowledge of Te Reo, and free of charge to New Zealand citizens.

DATES & TIMES    

6pm, Friday March 23rd to 3pm, Sunday March 25th

8.30am, Saturday May 19th – 3.30pm, Sunday May 20th

VENUE         

Pōwhiri, Ngā Wai o Horotiu Marae, 6pm, Friday 23rd March

Auckland University of Technology, Corner Wellesley, Symonds and St Paul Streets

ENROLMENT 

Places are limited. To secure your place on the programme, please complete and return the attached enrolment form before February 27th to Ella Henry. Under the Programme Pathway on the Enrolment Form please add AKCOP (Certificate of Proficiency), Paper Name: Wānanga Reo I, Paper Code:  955205. 

 

FOR FURTHER INFORMATION CONTACT

Ella Henry, Te Ara Poutama, Private Bag 92006, Auckland 1142     

Ph: (09) 921-9999, ext 6097, Fax (09) 921-9971, Mob (021) 455-120

Email  ella.henry@aut.ac.nz


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Pānui – Kohitātea 2012

 

Ngā Aho Whakaari Pānui

Kohitātea/January 2012

E ngā mana, e ngā reo, e ngā karangaranga maha, tenei te mihi atu kia koutou katoa.

Tēnā koutou i ō tātou tini mate. Haere, haere, haere.

Te hunga mate ki te hunga mate. Te hunga ora ki te hunga ora.

No reira tēnā koutou, tēnā koutou, tēnā tātou katoa.

 

Happy New Year!  Ngā Aho Whakaari has a lot planned for this year.  We will keep you up to date with developments through our Pānui,Facebook page and Website.  

 

Ngā Aho Whakaari  Board Meetings 2012. 2

Te Reo Māori 2

Māori Television and Te Mangai Pāho  Deadlines 2012-2013. 3

Te Māngai Pāho Final Funding Round for Financial Year 2011/ 2012. 3

Television Funding Round Dates 2012-2013 Financial Year 3

Measurable Language Outcomes. 3

Electronic Proposals. 4

Tā te Ao Māori 2012. 5

New Zealand Film Commission News. 7

DOCUDRAMA MASTERCLASS WITH ALAN ROSENTHAL. 7

Taki Rua News. 8

What’s in Store?. 8

He tangata, he tangata, he tangata… Maaka McGregor 9

Situations Vacant 9

NEWS ARCHIVE LIBRARIAN.. 9

TE REO FACILITATOR – REO DEPARTMENT. 9

ASSIGNMENT EDITOR.. 10

 

 

 

 

Board Meetings

The following dates have been set for the Ngā Aho Whakaari Board Meetings for 2012.  These have been moved to a Friday for the convenience of those Board members travelling to our meetings.

 Ngā Aho Whakaari will also utilize SKYPE for alternate Board meetings which will save in costs.  Any kaupapa for the Board please don’t hesitate to contact Hineani Melbourne.

 

Ngā Aho Whakaari  Board Meetings 2012

Friday 17 February 2012

Friday 20 April  2012

Friday 22 June – 24 June- Annual Conference (t.b.c)

Friday 17 August

Friday 12th October – AGM

December tba 

Te Reo Māori

Ngā Aho Whakaari will soon announce exciting developments to promote te reo Māori in the New Zealand screen industry.

From the 14th February at 6.0ppm – 9.00pm in association with the Auckland University of Technology, Ngā Aho Whakaari will be holding a regular  Te Reo Māori night to be held at AUT at

Te Kaipara, the whare kai at Te Wai o Horotiu Marae, AUT campus, Auckland. 

It is free and all are welcome to join in a fun and friendly environment.  More details soon…

Ngā Aho Whakaari in association with AUT’s Te Ara Poutama will also soon launch a free te reo Māori course specialising in Māori language for the screen industry.  More soon….

Check out ngaahowhakaari@groups.facebook.com for regular updates.

 

 

Māori Television and Te Mangai Pāho  Deadlines 2012-2013

 
MTS 2 Page Pitch Deadline:5pm Friday 13 April 2012

MTS Full Props advised:

Friday 4 May 2012

MTS Full Prop Deadline:

5pm Friday 25 May 2012

MTS Broadcast Commitments advised:

Friday 1 June2012

  TMP Closing Deadline:5pm Friday 15 June 2012

Board Hui:

Thursday 12 July 2012

Notification of Board Decisions:

Friday 13 July 2012 

       

 

Te Māngai Pāho Final Funding Round for Financial Year 2011/ 2012

Producers please take careful note of the Request for Proposals (RFP), which is now available on the Te Māngai Pāho website. The purchasing requirements for this round are quite prescriptive. If you have a Broadcast Commitment and intend submitting a proposal, please contact the Television Team for a User Name and Password.

Television Funding Round Dates 2012-2013 Financial Year

Round OneClosing Deadline: 5pm Friday 15 June 2012

Board Hui: Thursday 12 July 2012

Notification of Board Decisions: Friday 13 July 2012

Round Two

Closing Deadline: 5pm Friday 14 September 2012

Board Hui: Thursday 11 October 2012

Notification of Board Decisions: Friday 12 October 2012

Round Three

Closing Deadline: 5pm Friday 15 February 2013

Board Hui: Thursday 14 March 2013

Notification of Board Decisions: Friday 15 March 2013 

 

Measurable Language Outcomes

Te Māngai Pāho contines to emphasize the language requirements of proposals seeking funding. Te Māngai Pāho understands the challenges producers face in balancing language outcomes against pure entertainment value; however, they continue to encourage producers plan for programme specific language outcomes. Producers that are creative in the development (Language Plan) and delivery (Programme) of good quality language outcomes will be encouraged. On the other hand producers that fail to deliver in this area will conceivably prejudice their chances of securing funding .

Electronic Proposals

Delivery of electronic proposals:  Please note that the only option available for delivery of proposals is via upload to the Te Māngai Pāho website.

1. Applicants register with Te Māngai Pāho to be allocated a User Name and Password to facilitate delivery of the proposal to a personalised FTP folder accessible via the TMP website.

Connect to http://www.tmp.govt.nz/television.html

There is now a “Submit a Proposal” link on the Television Page. You can’t miss it, it is red and in the middle of the page. Press on the “Submit a Proposal” button and it will take you to a page with a ‘User’ Login panel.

However, before you can login you will need to email Te Māngai Pāho to be allocated a User Name and Password. Note that just above the “Submit a Proposal” button there is and “email us” link for that purpose.

If you encounter any problems please contact us immediately, and remember, the sooner you get your proposal in, the better.

PLEASE use the web upload service that we have provided. It is the most effective and efficient means of delivery and our strong preference. If you haven’t applied for a User Name and Password please do so.

 

Sales Income Returns

Sales Income Returns for the period ended 31st December 2011 will be sent out over the next couple of weeks. Producers should be aware that the completion of these returns is a contractual obligation whereby Producers are required to provide Te Māngai Pāho with all sales and income details for any programme funded by Te Māngai Pāho.

It would be appreciated if these returns are completed and returned in a timely manner.

Please note that acquisition information is available to Te Māngai Pāho which is used to verify returns. There is a form located on the TMP website.

Tā te Ao Māori 2012 

Feb 2012

Tā te Ao Māori: Writing the Māori World

Convenors: Brad Haami and Paul Diamond

Vaughan Park Retreat Centre: 17th – 19th February 2012

Since 2007, the Michael King Writers’ Centre has offered a series of workshops for emerging writers of all ages at its restored Signalman’s House in Devonport. In 2009, with the generous assistance of an ARST grant, the Centre organised the first of an annual series of symposium style Residential Workshops, continued since with a grant from the ASB Community Trust. These are limited to 24 emerging and mid-career writers and cover different forms of writing. The 2009 Residential Workshop, Shifting Sands: Changing Perspectives in History and Biography reflected Michael King’s major interests. The 2010 Residential Workshop took a more intensive look at biography with Truth Lies Somewhere: Biography, Autobiography and Memoir.

Tā te Ao Māori has been designed as a inspirational workshop to encourage experienced writers (Māori and Pākeha) with a specialised interest in writing the Māori world. Convenors Paul Diamond and Brad Haami attended previous Residential Workshops as participants and speakers, and felt the time was right for such a development. The workshop will offer stimulating discussion on writing in a number of key areas: writing in te reo Māori, translation, adaptation, history and approaches to biography, with a special focus on writing for future publishing formats. Speakers may discuss, among other things, the inspiration, dedication and organisation it takes to complete and publish major work, and also their experiences in research, writing, and book and web publishing.

Over three days and two nights, participants have opportunities to discuss issues with speakers and publishers and to report on their current projects. Writers gain much from the interaction and intensity of a long weekend retreat in the company of colleagues and respected professionals, and Vaughan Park offers the ideal setting for such in-depth discussions.

The Venue

The atmosphere will be relaxed, informal and designed to enable maximum enjoyment of the location. The Long Bay Regional Park has a superb beach and a cliff-top walk with extensive views over the islands of theHauraki Gulf. The Vaughan Park Retreat Centre overlooks the beach and offers a variety of lounges and meeting rooms and has a restaurant extending onto a large deck. Living accommodation consists of a series of houses, each with a central lounge opening onto a garden courtyard, two bathrooms and six individual rooms with bed, desk, hand basin and wardrobe.

Go to www.vaughanpark.org.nz for more about the venue.

Programme and Speakers

Confirmed speakers and chairs to date are writers Witi Ihimaera, Merimeri Penfold, Anne Salmond, Monty Soutar, Aroha Harris, Jock Phillips, Basil Keane, Paul Moon, Jane McRae, Darryn Joseph, Brad Haami, Paul Diamond and Peter Simpson and publishers Robyn Bargh, Bridget Williams, Geoff Walker, Sam Elworthy and Bob Ross. In tune with the collegial nature of the residential workshop, some speakers also act as Chairs, and most speakers stay on for a meal and attend another session or two. The programme will also include time for attending writers to discuss the challenges of their own particular projects – formally, though briefly, on the first night, and informally during the longer breaks intended for this purpose.

Go to Residential Workshop Programme February 2012 for a detailed programme

Go to Residential Workshop Speakers February 2012 for profiles and photos of the speakers and chairs.

Cost

The ASB Community Trust has provided support for the planning and administration of the Residential Workshop. This support has enabled the Trust to limit the cost of the workshop to $430.00 plus GST, which includes accommodation for two nights and all meals.

How to apply

The workshop is limited to 24 applicants. Writers applying to attend the workshop should have some publishing record or be specialists in their field. It is envisaged that, as well as writers who have already published work about the Māori World, applicants may include experienced writers from other fields who have recently started writing in the area and those who have published articles or chapters and may be preparing a book based on their thesis or research.

Applications should be made to the address below by 31 August 2011 and include a writing CV. Registration forms will be sent to those accepted by 18 September 2011. Payment is due following acceptance.

Go to Residential Workshop Application February 2012 to download, print and complete the application form. Please send the application form and your writing CV to the address below, or scan and email to workshop@writerscentre.org.nz.

New Zealand Film Commission News

2012 has got off to a great start for the screen sector with Sione’s 2 Unfinished Business number 1 at the box office across the country. Congratulations to all involved in the making and release of the film.

Looking back at 2011 there were more NZFC supported local films released than in any other year of our existence. This and many other facts and figures can be found in the 2010/11 Annual Report which is on our website and available via this link   http://www.nzfilm.co.nz/AboutUs/AnnualReport.aspx

Looking ahead, we already have nine NZFC supported local features set for release this year and four productions set to commence within the next few weeks.

Continuing to look forward you can access via this link (https://www.surveymonkey.com/s/NZFCstakeholdersurvey ),  the independently run survey on how it is to work with the NZFC. The survey will be open for the next four weeks (up to and including Friday, 24th February).

We look forward to seeing and sharing with you the results of what you think about your dealings with us – both the good and what we need to address.

All the best for 2012.

Graeme Mason.

The Screen Directors Guild of New Zealand presents:

 DOCUDRAMA MASTERCLASS WITH ALAN ROSENTHAL

 Date:  Thursday, 23 February 2012

Time:  2:30 PM to 5:30 PM

“The challenges of writing and producing docudrama and documentary today”

 Alan Rosenthal is an award-winning documentary maker. His films have won an Emmy and Peabody Journalism Award and a Christopher Award (USA highest humanitarian award). He has written seven books on documentary including the well known Writing, Directing and Producing Documentaries, Writing Docudrama and most recently Succeeding as a Documentary Filmmaker: A Guide to the Professional World.

 Alan has worked in England and America where he has made over 40 documentaries for the BBC, Channel 4 UK, PBS, CBC, ABC, Arte and ZDF. He has also taught at many of the world’s film schools.

 This Masterclass has a special focus on docudrama, from concept to final film, with an emphasis on shape and ideas, scripting, writing narration using Rosenthal’s recent production ‘The First Fagin’ as a case study and mainly dealing with the challenges confronting the writer/director.

 Presented by the Screen Directors Guild of New Zealand with support from the University of Auckland

 Cost:  $35 for SDGNZ Members and University of Auckland Students

           $55 for Non-Members  Register here:  http://alanrosenthalmasterclass.eventbrite.co.nz/

Venue: University of Auckland, Arts 1, Room 315, 14A Symonds St, Auckland

Taki Rua News

Well 2012 is off to busy start, we’re embarking on four weeks of rehearsal for our production of Michael James Manaia, in preparation for the New Zealand International Arts Festival premiere season at Downstage. ( Show and booking info below.)

Awhi Tapu was nominated for five Chapman Tripp Wellington Theatre Awards in December, it didn’t take home any awards but it was great to be a part of the evening and have the work ackowledged in this way. Special mentions go to Jim Moriaty ( www.terakau.co.nz) for winning the Mayor’s Award For Excellence and to Tawata Productions who took home several awards, including Production of the Year for I George Nepia.

The team here at Taki Rua are gearing up for a busy year of touring and also planning and implementing the development of several new works that will be reaching stages in Aotearoa from 2013 onwards.

What’s in Store? 

The creative team of Michael James Manaia have been in pre-production gearing up for rehearsals which began on the 23rd of January. Now rehearsing full time till the 24th of February, the team are working daily to bring this production into being. Set, lighting and sound design componants will be intergrated into the work that performer Te Kohe Tuhaka is doing, creating a cohesive and strong piece of kiwi theatre that we hope will thrill our audiences.

We’ve launched the online campaign for this production so be sure to check out our facebook page to catch regular updates from the cast and crew. Online you can see images from the rehearsals, like this one taken by Philip Merry during a recent workshop, and videos, including interviews and behind the scenes footage. Follow this link to watch the production videos that have been posted in the last few weeks.

For show times and to book tickets for the New Zealand International Arts Festival season of this work please follow this link. Performances are on at Downstage theatre, Wellington from the 25th of February through to the 4th of March and ticket prices range from $38 – $48.   

He tangata, he tangata, he tangata… Maaka McGregor 

Maaka McGregor (Ngati Raukaw) is currently working on Michael James Manaia as the Composer / Sound Designer. Maaka has a long history with Taki Rua, working on our annual Te Reo Māori Seaon, creating the sounds that accompany our crew as they tour the country; this year marks his first time working on one of our mainstage productions.

Maaka started his career at Te Upoko O Te Ika in 1986 and has a lifetime of experience in commercial music production, live sound, radio, film and television broadcasting.
Some of the more well known kiwi bands and artists he has worked with are Moana and the Moa Hunters, Electric Wire Hustle, South Side of Bombay, Holly Smith,

Dam Native, Recloose, Hinewehi Mohi, Fat Freddies Drop, Upper Hutt Posse, Nathan Haines and Scribe.

Maaka is best known internationally for his work with the ground breaking Māori electronica band ‘WAI.

Situations Vacant

NEWS ARCHIVE LIBRARIAN

Maori Television has an exciting new opportunity for a full time position in the News Archive Library in Auckland, the successful applicant will become a member of a small close knit team which operates 7 days a week providing a high level of service to library users.

Responsibilities will include sourcing and supplying appropriate footage for journalist’s requests in an efficient and timely manner, viewing and cataloguing footage and maintaining documentation databases and archives.

The ideal person must be available to work weekends and be comfortable with technology, possess excellent communication and organisational skills be of reliable and trustworthy character and have experience in Television and Library however full training can be given. An understanding of tikanga and te reo Māori is a strong preference for this role.

To apply please send your CV and a cover letter to:
Pūmanawa Tangata Department
Māori Television
PO Box 113 017
Newmarket Auckland or
Email: hr@maoritelevision.com

Applications close midday Friday 3rd February 2012

TE REO FACILITATOR – REO DEPARTMENT

Kei te rapu Te Reo Facilitator, a Whakaata Māori mo te Tari Reo, wahanga mahi.
Ka ahu ngā whakatau ki te HOD Te Reo me nga Tikanga Māori, no reira me tino matatau te kaitono i roto i nga mōhiotanga o te reo Māori me te reo Pākeha, mātau hoki ki nga mōhiotanga rorohiko; ko te nuinga o nga mahi he whakarite kupu hauraro.

Māori Television is looking for a Te Reo Facilitator for its Reo Department, Programme area.
Reporting to the HOD Te Reo Me Ngā Tikanga Māori, this role requires someone with exceptional English and Māori language skills and competent computer skills for the preparation of subtitles as being the core responsibility.

To apply please send a cover letter and CV to:
Pūmanawa Tangata Department
Māori Television
PO Box 113 017
Newmarket, Auckland or
hr@maoritelevision.com

Applications close 07 February 2012

ASSIGNMENT EDITOR

(Full time employment)
Māori Television is looking for an Assignment Editor to help identify, strategise and co-ordinate its news coverage on its daily news programme Te Kaea. If you would like to be at the forefront of covering news from a Māori perspective, have astute news judgement, and want to play a leading role based in our Auckland newsroom, this could be the job for you. The applicant must demonstrate:

• At least 5 years minimum experience in a journalist role.
• Highly developed investigative research skills.
• Strong networks.
• A sound understanding of te reo Māori me ōna tikanga.
• A keen interest and general knowledge of news both domestically and internationally.
• Attention to detail.

To apply please send your cover letter and CV to:
Pūmanawa Tangata Department
Māori Television
PO Box 113 017
Newmarket, Auckland or
Email: hr@maoritelevision.com

Applications close Tuesday midday, 7th February 2012.


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Pānui – Hakihea/December 2011

Ngā Aho Whakaari Pānui

Hakihea/ December 2011

E ngā mana, e ngā reo, koutou hoki e noho ana i roto i ngā kainga maha ō te mōtu, tēnā koutou i roto i te āhuatanga o te wā.

The All Blacks won the Rugby World Cup much to the relief of the entire country.  A new goverment has been elected and the machinations into whose on which side make for entertaining politics for a while.

Meanwhile some look forward to summer breaks while others wonder how the hell they are going to pay the rent as contracts end for the year with prospects for 2012 a distant promise.

Ngā Aho Whakaari is joining other screen industry bodies for a Joint Industry Christmas Party on Thursday 15th September.  But before we celebrated the end of a rather long year the Ngā Aho Whakaari Board spent the day working on the constitution and strategy for our organisation.

Ngā AhoWhakaari was founded 15 years ago and works to adapt and set in place robust administration so we can continue to develop to meet the needs of its members and associates.

Next year promises to be another full year as we plan the National Conference for May 2012 as well as industry specific workshops.   We are working hard to keep our members up to date and informed of developments as the industry undergoes radical changes.  These include a new te reo Māori strategy and an IT strategy.

Ngā Aho Whakaari wishes all its members, associates and those working in the challenging New Zealand and Māori screen industry a safe and relaxing Christmas, and a creative and prosperous New Year.

Important Dates

Board Meeting December 15th, Board Room at Ngā Aho Whakaari Office

Joint Industry Christmas Party, 15th December, Long Room, Ponsonby, Auckland

School starts 31st January 2012

Waitangi Day 06 February 2012

National Hui May 2012

Easter: Good Friday 6th April – Easter Monday 9th April 2012

Chair Report  -Hakihea 2011

Kia ora koutou,

I would like to keep you all updated with progress on plans and ideas between meetings.  I also hope, if you get a chance to go over this material, that it will help inform your thinking and provide an opportunity for you to have an input on these issues.

These are background issues but at the forefront is a plan to compile a special memorial Pānui for Te Kauhoe Wano.  If you would like to contribute to this Pānui please contact Hineani Melbourne on  hineani@ngaahowhakaari.co.nz

Ā te wā nā

Ella

Strategic Intent

Strategic Planning

  • Strategic Planning Topics
  • Constitutional Review
  • Executive Roles
  • Membership and fees
  • Strategic Planning Session: December 15th, Ngā Aho Whakaari Office
  • Strategic Relationships: Stakeholders

    SPADA:

    Hineani and I attended the Annual Conference, November 10-11. It was an excellent opportunity for introductions and networking. I also attending a couple of the workshops which were inspiring, in particular Award winning producers Marcus Gillezeau and Ellenor Cox and the approach they took with Storm Surfers from concept to audience; ‘the Digital Natives? Programming for Younger’ sponsored by Māori TV, and the plans for roll-out of Ultrahigh Fibre Broadband (UFB), hopefully coming to a street near you soon!

    TMP

    Hineani and I caught up with the TMP crew at SPADA and met some of the new Board. This was followed by a meeting at TMP in Wellington to update Larry and Lynne Parr on our new Executive team and plans for 2012. I feel the meeting the well.

    NZFC

    We met with the CEO and development team of NZFC at SPADA, which was informative and very useful. I wass also able to meet Kath Akuhata-Brown and Graham Mason in Wellington, to talk about some of our plans for 2012, and how the Work Sector Program (which rolled out of the Review of the Review of the Film Commission) might impact on NZFC funding for guilds and professional development in the future, more on that below.

    NZOA

    I met briefly with Jane Wrightson, CEO of NZOA and Board member Caren Rangi at SPADA, to introduce myself and catch up. We will no doubt engage further with NZOA as our 2012 plans progress, and it is extremely helpful to have Nicole Hoey sitting on the Board.

    MTS

    Ngā Aho Whakaari continues to have an enduring relationship with Māori Television at all levels and across all departments, and we hope to continue to enjoy this kind of relationship. Hineani and I met briefly with senior management, and the Deputy Chair, Ian Taylor at SPADA, which was very positive. We also attended the Kawe Mate for Te Kauhoe on Friday 25th, which was both sad and uplifting. On the 26th, I was part of the Kōwhiri 2011election coverage. I look forward to working closely with them on planning for our National Hui in March 2012.

    SINZ

    Ngā Aho Whakaari has recently joined Screen Industry New Zealand, a collaboration of all the screen industry guilds. I attended the first meeting in early October. Members of the Ministry Culture & Heritage (MCH) and Ministry Economic Development (MED), who are charged with implementing the Screen Sector Work Programme. From that meeting I discussed the possibility of a united screen industry (e.g. us at SINZ) developing a strategy to liaise directly with TEC to deliver professional development. I have attached a draft letter which is being circulated among the SINZ guilds for discussion in December/

    Te Paepae Atāta

    Lawrence Wharerau represents us on Te Paepae Ataata, he has submitted a written report on recent developments.

    Te Pūtahi Pāoho

    Quinton Hita represents us on Te Pūtahi Pāoho. We look forward to hearing from him.

    The Brown Pages

    Iulia Leilua is now the Director of the Brown Pages Trust and has contacted us for support in developing the Brown Pages as a web-site, e-book, and much broader strategy than the printed directory. We can discuss this in more detail at the December meeting.

    TMP Advisory Board

    Hineani and I sit on the Board, but we have not yet met whilst I have been Chair.

    Proposed National Hui

    Date May, 2012

    Venue Rotorua

    Kaupapa  TBC

    Manuhiri TBC

    Budget                    TBC

    Strategic Objectives 2012

    1. 1. Iwi Wānanga

    Tearepa, Quinton, Kareen, Hineani and Christina have been working on these Kaupapa.

    Hokianga: Completed three Hui

    Waikaremōana: In planning

    Waiāriki: First Hui done

    1. 2. Productions

    Funding is available to produce short films that emerge from the Iwi Wānanga. These will be discussed in more detail at the December meeting.

    1. 3. Proposed Te Reo Strategy 2012 (see attached)

    a) Kōrero Paki

    Te Reo Club, beginning January in Auckland, a fun, social opportunity to kōrero Māori

    b) Reo Wānanga Pāpāoho

    Level 5 Te Reo course specifically designed by AUT for practitioners and onset, taught across two Noho Marae,  available free beginning March 2012, with another Noho in May. Thirty students required for it to go ahead.

    c) Matapaki Reo Hui

    Ngā Aho Whakaari will host two National Hui in 2012 bringing together experts in Te Reo and screen production to further develop the lexicon of the Māori screen industry.

    1. 4. Proposed Publication Strategy 2012

    a) Dictionary: Kupu Pāpāho

    To strengthen Te Reo in the industry, the outcomes of the Matapaki Reo Hui will contribute to a comprehensive dictionary and lexicon of Māori Screen Production language to be published in 2012.

    b) Te Urutahi Kotāta, 2nd Edition

    We plan to revise, update and publish a second edition in 2012 and make it available in hard copy and as an e-book, available through our expanded web-site presence

    c) History of Ngā Aho Whakaari

    I intend to seek funding to publish a History of Ngā Aho Whakaari (and our tupuna organisation Te Manu Aute). Much of the historical information for an introductory chapter is included in my PhD. However, I would call for chapters from all those who had been Chair and other interested parties. I think such a text is timely, and it should be published by us.

    1. 5. Proposed International Opportunities

    After discussions with NZFC personnel, I think there is potential for development of a strategy to take the Māori screen industry, which is unique in the world, as a fully mature and operational indigenous screen sector, out into the wider world to celebrate and acknowledge our existence, share a body of our work and pitch proposals for international investors.

    Administrative & Financial

    Finances

    • Ella, Christina and Hineani have now formed the Management Committee, who will meet fortnightly to discuss administrative tasks and oversee payments of accounts.
    • The final Audited Accounts are due from the Accountant very soon

    Interim Administrator Role

    • Hineani has agreed to continue as a Contractor providing Ngā Aho Whakaari with Administrative Service until October 28th, 2012

    Internet-Telecommunications

    Phone and internet services

    We have transferred from Call Plus to Vodafone, resulting in a 500% increase in broadband for 50% less contract. Hineani and Ella have transferred their cells to a contract with Vodafone for one-year, thereby allowing free calls between each and the office, and increased free minutes. This will cost $40 per month for Hineani, and $60 per month for Ella (because I have a family-plan on my cell-phone contract. I will reimburse Ngā Aho Whakaari $40 per month for my personal use of the phone, and Ngā Aho Whakaari will cover any additional calls I make the organisation, over and above $20 per month.

    Computer

    Hineani and Ella purchased a new PC (Lenovo IdeaPad Y560) on November 24th. It has 8G RAM, and 750G HDD. It will enable Hineani to retire her personal computer and rationalise our files. Also, we intent to upgrade the existing i-Mac for use as an editing suite for footage, news and other collateral we may wish to place and manage on our improved internet presence.

    Internet

    Hineani and Ella are meeting with a number of IT providers to discuss a strategy for integrating our web-site presence, enhancing the current site, and the Face Book page and explore opportunities around a YouTube or Vimeo channel.

    Data Projector

    We have secured a commitment from the importer of a light and portable data projector that we can purchase one when they arrive in the country in December, for under $1,000, which we are very pleased about

    End…

    New Pay Partnership Not a New Dawn for Local Content

    Ngā Aho Whakaari is meeting with SINZ (Screen Industry NZ) to discuss the new partnership between TVNZ and SKY Television.

    TVNZ and SKY Television claim it will provide further pay opportunities for viewing of local programmes which have already been seen on TVNZ, but its implications for new programmes are unclear, says SPADA, the

    organisation representing New Zealand production companies and producers.

    “Based on the evidence so far, our members are very concerned about the implications for the future of our television landscape,” says SPADA CEO Penelope Borland.

    “Production companies licence their programmes to broadcasters and the terms of those licences need to be properly negotiated,” says Ms Borland. “In the absence of any regulation in this area, the dominant players TVNZ and SKY can force commercial deals that suit them financially and that will strengthen their businesses at the expense of local producers and NZ On Air. That leaves the New Zealand production industry and viewers with a raw deal.”

    TVNZ is wanting to take PAY rights for new programmes from production companies for no compensation. That includes programmes funded primarily by NZ On Air, which is legislated to support the free access of the New Zealand public to local programmes.

    These arrangements would not be tolerated in other countries, as there are regulatory regimes in places like Australia, Canada, UK and Europe to ensure that those who produce programmes for free-to-air television are compensated for

    additional PAY TV rights, because the programmes are commercially valuable to PAY TV operators who make a good return from them.

    TVNZ’s Head of Digital Media and Channels Eric Kearly said on Radio New Zealand’s Nine to Noon programme this morning that the main barrier to the new PAY model was the negotiation of rights to content. Mr Kearly said that TVNZ had successfully managed to negotiate them when they were needed, and TVNZ is ready with these rights for the new situation, said Ms Borland.

    “It’s pretty clear that there is no negotiation in a scenario where New Zealand’s biggest free-to- air, Government owned television broadcaster in partnership with our only PAY TV provider takes rights to PAY TV for no compensation” said Ms

    Borland.

    “It is time to end the wild west in television broadcasting in New Zealand,” said Ms Borland. “The announcement of this new partnership highlights the case for regulation in the broadcasting environment.”

    Ngā Aho Whakaari will keep its members informed in any developments in this area.

    Keep in touch with ngaahowhakaari@groups.facebook.com

    Te Māngai Pāho News

    Important Dates

    Closing Deadline: 5pm Friday 17 February 2012

    Board Hui: Thursday 15 March 2012

    Notification of Board Decisions: Friday 16 March 2012

    Te Māngai Pāho is closing for a longer period over the Christmas/New year period. If you miss the final payment run of 2011 it will be 18th January before the next payments will be made.

    Te Māngai Pāho will be facilitating a further Language Planning Workshop early in the New Year (most likely date second week of February) if you are interested in attending please email Caytion Wineera. caytion@tmp.govt.nz

    Language Veteran Huirangi Waikerepuru Takes Top Honour at Māori Language Awards 2011

    Veteran language advocate – Huirangi Waikerepuru; a small, low decile school in Gisborne – Kaiti School; a long standing national total immersion language course – Kura Reo; and an iwi, Te Reo o Taranaki, all took out the top awards at the Māori Language Awards, held in Rotorua this evening.

    Huirangi Waikerepuru received the Taku Toa Takimano award, which recognises an individual’s contribution to the language.

    As the head of Ngā Kaiwhakapūmau i te Reo Māori, he spearheaded two claims. The first was Te Reo Māori claim in the early eighties and focussed on the need for recognition of te reo Māori as an official language. The claim led to the passing of the Māori Language Act in 1987 and the establishment of Te Taura Whiri i te Reo Māori. From the late eighties through to 1993 Huirangi, again with Ngā Kaiwhakapūmau, worked with the NZ Māori Council on a Privy Council case, arguing that the government should recognise and protect Māori language as a taonga under Te Tiriti o Waitangi in relation to the allocation of broadcasting assets. This later led to the establishment of the Māori broadcasting agency, Te Māngai Pāho and ultimately Māori Television.

    “Huirangi is a passionate and humble man, whose contributions to language revitalisation will stand in our history as perhaps the most significant language achievements in the last forty years. We would have been remiss in not acknowledging his vision and leadership in that time, as such he is truly deserved of this honour” says CE, Glenis Philip-Barbara.

    Kura Reo, a total immersion language course and Te Reo o Taranaki were joint recipients of Te Tira Aumangea award given to a group or organisation in recognition of their efforts towards language revitalisation.

    Each year a series of four week long Kura Reo, aimed at intermediate to fluent speakers of te reo Māori, are held at four key locations across the country. These locations include Rotorua, Heretaunga (Hastings), Waipukurau, and Christchurch. The Kura Reo are held in the first week of each school holiday break and are conducted completely in te reo Māori. This series of wānanga has been running for over twenty years.

    Initially Te Reo o Taranaki, established well over twenty years ago, had a simple premise – to drive efforts towards revitalising language within their communities and in the main ran wānanga, waiata classes and other community and marae based courses aimed at increasing language acquisition amongst its people. This has grown over the years to a Taranaki Māori Language Strategy which seeks to revitalise the Taranaki dialect and normalise the language throughout the rohe.

    “Both the Kura Reo and Te Reo o Taranaki initiatives epitomise language excellence, growth and increased use, and these are priority areas in language revitalisation. Their combined historical contribution to the language is considerable and we encourage and support their future endeavours”, says Glenis Philip-Barbara.

    The Supreme winner for the contestable categories was Kaiti School.

    “What made their entry special and inspiring was the fact that much of what they did was determined and driven by the kids and not the adults. They really captured the spirit of manaakitanga in this year’s Māori Language Week theme and in the end that’s what won the judges over”, says Glenis Philip-Barbara.

    Other category winners include:

    Private Sector: Tokoroa New World; Community: Te Rūnanga o Ngāi Te Rangi Charitable Trust (Tauranga) and Te Reo o Taranaki Charitable Trust; Local Government: Wellington City Council; Government: Department of Corrections; Broadcasting – Mainstream: TVNZ; Broadcasting – Māori Media: Tūmanako Productions (Auckland); Print: The Gisborne Herald; Education – Mainstream: Tokoroa High School; Education – Māori Medium: Te Wharekura o Ngāti Rongomai (Rotorua); Tertiary: Massey University; Māori Language Week: Kaiti School (Gisborne); Māori Language Week – Inaugural: Insoll Avenue School (Hamilton).

    Keep in touch with ngaahowhakaari@groups.facebook.com

    Kua whakaputaina e Te Wānanga o Raukawa tētehi pūmanawa tautono iPhone.

    He huarahi hou e ako ai i ngā mōteatea mā te iPhone kua whakaputaina e Te Wānanga o Raukawa ki te toa Apple App.

    He āhua uaua te ako i ngā waiata tawhito e rangona ana ki ngā marae. Koinei tonu te pūtake o tēnei pūmanawa tautono, kia ākona ngā mōteatea mā te whakarongo, mā te titiro, mā te waiata hoki i ngā wā e rāwekeweke ana te tauira i ēnei rawa, arā, te iPhone, te iPad, te iPad Touch hoki. Ka māmā te whai atu i ia rārangi, i ia whiti mā ngā tohutohu kua whakaritea nei ki tēnei pūmanawa tautono. He whakapākehatanga, he kōrero whakamārama tā ngā waiata e whā o tēnei pūmanawa tautono.

    While we primarily designed the application for students of Te Wānanga o Raukawa, we decided to make this free of charge to anyone wanting to learn these these waiata” e ai ki a Bonnie Matehaere, kaiwhakahaere ki Te Wānanga o Raukawa.

    Nā Mereana Selby, te Tumuaki o Te Wānanga o Raukawa, te kī, “Our Wānanga has over the years sought ways to use technology to enhance teaching, and this is another initiative which we feel will make a contribution to our people.

    Ki tā Bonnie, “we are keen to add more waiata, develop an Android version, and are actively seeking funding support.”

    Kua tapaina te pūmanawa tautono nei ki te ingoa “eWai” ka mutu, ka taea te tiki atu i te Toa Apple App, kāore he utu.

    Te Wānanga o Raukawa

    He mea whakatū a Te Wānanga o Raukawa i te tau 1981, e Ngā Kaitiaki o Raukawa me ngā iwi o te kotahitanga nei o Raukawa, o Toa, o Awa. He wānanga tēnei e whakatairanga ana i te mātauranga Māori. I takea mai ia i te tino kaupapa-a-iwi nei a Whakatupuranga Rua Mano. Ka whakanuia te reo me ngā tikanga tuku iho a ō tātou tūpuna i roto i ana whakahaere katoa. Mā ēnei āhuatanga katoa e tere atu ai koe i tēnei ara hou, i tēnei huarahi whakamīharo hei ako.

    PREMIERE SHORTS FUNDING 2011/12 UPDATE

    An extended decision deadline has been announced for the 2011/12 premiere shorts funding round.

    Due to the calibre of projects and teams that have been submitted this year the final funding decisions have been especially challenging, and after much discussion the EP groups and the NZFC have agreed to proceed in a slightly different way.  Seven projects have been selected for an extended development period through to 29th February 2012.  During this time the filmmakers will work with their EP group to meet a range of requirements specific to their project and funding for six films will be confirmed individually between January and March.

    The current Executive Producer groups who manage the scheme are A Collective Intake of Breath (Maile Daugherty, Michael Bennett), Tauihu (Tui Ruwhiu, Brad Haami, Poata Eruera) and Tom Thumb (Polly Fryer, Steven O’Meagher, Chris Dudman).

    Got a bit of down time over the summer with your laptop or other gadget?  Then check out NZ On Screen.  There is some great films, television programmes from very recently to way, way , way  back!

    NZ On Air initiated the NZ On Screen project in 2007 as an integral part of its digital strategy. Since 1989 NZ On Air has funded over 15,000 hours of local television production. Much of this content, as well as thousands more hours supported by broadcasters, film investors and other funding sources, is not easily accessible to the public.

    NZ On Screen is unlocking the treasure chest, providing access to the wealth of television, film and music video produced in NZ, along with knowledgeable background information.

    NZ On Screen is fully funded; there is no commercial aspect. Links are provided to other sites or businesses where titles can be purchased or downloaded. NZ On Screen does not handle any transactions or carry advertising.

    In 2007 NZ On Air initiated the NZ On Screen project as an integral part of its digital strategy. Since 1989 NZ On Air has funded over 15,000 hours of local television production. Much of this content, as well as thousands more hours supported by broadcasters, film investors and other funding sources, is not easily accessible to the public.

    NZ On Screen is unlocking the treasure chest, providing access to the wealth of television, film and music video produced in NZ, along with knowledgeable background information.

    NZ On Screen is fully funded; there is no commercial aspect. Links are provided to other sites or businesses where titles can be purchased or downloaded. NZ On Screen does not handle any transactions or carry advertising.

    Engari kāti mō tenei wā.  He mihi mahana kia koutou katoa i tenei wā whakatā, whakangahau hoki.  Me āta haere koutou i runga i ngā rori, mā te Atua kotou me ōu koutou whānau e manaaki e tiaki.


    read more...

    Nga Aho Panui- Whiringa-a-Rangi November 2011

    Ngā Aho Whakaari Pānui

    Whiringa-ā-rangi/ November 2011

    E Te Kauhoe,

    Te tamaiti ō Parihaka

    Te uri ō te maunga hauhunga ō Taranaki

    Haere ki te tihi, aa, ki te poho ō te Atua

    Mā Kura haupō, mā Kurahauawatea

    Haere, haere, okioki atu.

    It is with great sorrow and heartbreak that we farewelled our friend, colleague and whanaunga Te Kauhoe Wano this weekend.  Te Kauhoe Wano (Taranaki, Te Atiawa, Ngāti Awa) was a popular and highly regarded broadcaster, avid surfer, presenter, director and producer and Te Reo consultant.  Toa TV the company he founded with his wife Pirihira produced CODE, Te Hikoi Mahanga which he fronted with his twin brother Wharehoka as well as documentaries and sports programmes.  He has three sons.  Te Kauhoe was part of the revival of the Taranaki te reo Māori movement and a Board Member of Ngā Aho Whakaari.

    Moe mai e te rangatira.

    The Rugby World Cup drew to an exciting end.  But there were two winners, first of course much to everyone’s relief and joy the All Blacks won the Webb Ellis Cup becoming the Rugby World Cup champions.  But there was another winner and that was Māori Television.

    Special mention and congratulations has to go to Māori Television’s coverage.  It drew a record number of viewers to Māori Television confounding critics and sending other broadcasters scrambling for answers.  It was music hearing “this is Keith Quinn for Māori Television”.  A job well done.

    • Working full day Board Meeting December 9th
    • Joint Industry Christmas Party  December 15th, The Long Room, Ponsonby Road
    • National Hui postponed to March 2012

    South Auckland Short Film Workshop: Turn your Stories into a Short Film!

    The South Auckland Short Film Workshop held on 15th & 16th October at the Manukau School of Visual Arts, in Otara organized by Script to Screen in association with Ngā Aho Whakaari was without a doubt an amazing success.

    Congratulations to Jodhi Hoani of Māori Television for having the most outstanding script of the weekend.  All the more remarkable as she was up against some writers who have already written and had short films produced.

    There were a number of other gems in the workshops which we hope to see at future dates.  “Keep writing”.

    ************************************************************

    Script to Screen:  Dial a Māori – The Art of Consultation

    Kath Akuhata-Brown (Script to Screen Board Member, Development Exec NZFC) interviewed award winning journalist Maramena Roderick (E Tu Kahikatea, Ka Haku Au, Ka Mate The Haka The Legend) and Lawrence Wharerau (The Piano, Waitangi: What Really Happened) discussed at Script to Screen, Wellington  what it means to engage properly with Māori stories. Kath Akuhata-Brown writes:

    “Facilitated by Kath Akuhata-Brown the panelists were Lawrence Wharerau and Maramena Roderick.  About 30 people attended the session.  The kaupapa was conceived to begin a korero about the nature of consultation on projects in television and film.  It had to do with the idea that in this day and age we are beyond consulting and should be collaborating particularly with Pakeha who are attempting to tell kaupapa Māori stories in whichever genre.  In order to articulate this clearly the focus of the discussion was primarily on telling stories of our own experiences as practitioners irrespective of the form these stories were communicated in.  It became very clear that in order to participate in the art of Māori storytelling there were several key areas one needed to be aware of.  These were:  reo, tikanga, craft, creativity, local knowledge, whakapapa, humility and generosity.   We acknowledged that the coming together of all of the above occurs with experience, and everything to do with the collective memory and the collective unconsciousness.  “

    Important Events

    SPADA Conference

    10-11 November 2011

    SKYCITY Convention Centre, Auckland

    APN Symposium

    11-13 November 2011

    General Elections

    26th November 2011

    This year’s Gala Awards will take place on Saturday, 12 November at Auckland’s stunning new Viaduct Events Centre while the technical brilliance of Film and Television makers will be honoured at the Craft Awards Luncheon to be held on Thursday , 10 November.

    Congratulations to all the Finalists in the Aotearoa Film & Television Awards.  And here are a few of the finalists, with connections to Ngā Aho Whakaari (definitely not the complete list), Best Current Affairs Programme Native Affairs; Images & Sound Best Drama Programme: What Really Happened: Waitangi Eyeworks New Zealand; Māori Lanugage Commission/ Te Mangai Paho Best Māori Language Programme,E Tu Kahikatea Te Noni,  Katerina Te Heikoko Mataira Māori Television, Kowhao Rau Series 1 Kura Productions, Best Children’s/Youth Programme, Kaitangata Twitch ProductionShed.tv, What Now 30th Birthday Show Whitebait TV, Best Information Programme, Whare Māori Episode.1 Kainga Scottie Productions. Best Constructed Reality Series, Are You My Tribe? Claudette Hauiti, Best Performance by a Supporting Actress, Rena Owen Shortland Street; Best Performance by an Actor, Jarod Rawiri What Really Happened: Waitangi; Images & Sound Best Director Drama/Comedy, Peter Burger What Really Happened: Waitangi, Britta Johnstone Stolen; Peter Burger Bloodlines; Best Director Entertainment/Factual Karen Mackenzie & Michael Bennett Whare Māori Episode.1 Kainga Best Production Design Tracey Collins What Really Happened: Waitangi Best Original Music in a Feature Film Don McGlashan Matariki Best Production Design in a Feature Film Miro Harre Matariki Best Short Film Ebony Society StanStrong Best Screenplay for a Short Film Tammy Davis Ebony Society.

    SESSIONS AT SPADA OPEN TO EVERYONE

    The upcoming SPADA Conference (November 10th & 11th ), is offering a suite of Open Sessions to non-delegates at this year’s SPADA Conference. Everyone is welcome to participate in the full two days (discounted guild rates are available) but if you are unable to attend, these are the sessions that are open to everyone.

    Friday November 11th

    9.30 11.00am

    Epsom Room 2 & 3

    Park Road Masterclass

    Next Generation Feature Film Workflow: On-Set to On-Screen

    Tony Pratt and Phil Oatley take us through the paces.

    Friday November 11th

    9.30 11.00am      Epsom Room 1

    NZFC Low-Budget Escalator Scheme

    An opportunity to listen to some of the 2010 Escalator teams including the producers of Existence and Timeslow – as they recap on their experiences: what worked, what to look out for: and what next.
    Moderator: Bonnie Slater, NZFC.

    Friday November 11th

    2.15 3.15pm  Epsom Room 2 & 3

    Ministry for Economic Development (MED)/Ministry for Culture and Heritage (MCH) Seminar

    Screen Sector Work Programme

    MED and MCH will introduce the work programme, and outline progress to date; before opening up the session for comments/feedback.

    Friday November 11th

    3.45-4.45pm Epsom Room Need Guidance with the Guidelines?

    An opportunity to discuss the NZFC’s new Development and Production Financing guidelines with Katherine Fry &NaomiWallwork.
    SDGNZ DRAMA EDITING WORKSHOP WITH ANNIE COLLINS

    The Screen Directors Guild of New Zealand is pleased to announce award winning film and television editor Annie Collins will be holding a drama editing workshop at The Film School, 86 Vivian St, Wellington.

    2 December 2011 7pm – 9pm

    3 December 2011 8am – 6pm

    4 December 2011 9am – 6pm

    Applicants must be Fully conversant with Final Cut Pro, A New Zealand citizen or permanent resident who has lived in New Zealand for at least the last six months, and available for all days of the workshop. SDGNZ members selected for the workshop will attend for free. Non-members will be required to pay $100+GST.

    Applications must be sent via email to: kate.stevenson@sdgnz.co.nz by 5pm Friday 11th November, and include a letter outlining your reasons to attend the workshop and the perceived benefits from attendance, your CV or filmography listing your editing experience and your SDGNZ membership number (if applicable). Successful applicants will be informed by Monday 14th November.

    And so much more check out www.nzfilm.co.nz and keep up to date with the exciting New Zealand film industry.

    Ngā Aho Whakaari SINZ

    Ngā Aho Whakaari is part of a new combined industry group called “Screen Industry New Zealand” or SINZ.

    The group comprises the New Zealand Film & Video Technicians’ Guild (NZFVTG) NZ Actors Equity (NZ Equity), Screen Directors Guild of NZ (SDGNZ) Screen Production and Development Association (SPADA) and Women in Film and Television(WIFT) with of course Ngā Aho Whakaari.

    Ella Henry as the new Chair for Ngā Aho Whakaari attended this meeting last week which included a visit by representatives of the Ministry of Culture and Heritage (MCH) and the Ministry of Economic Development (MED).  These two departments are following up the Sir Peter Jackson/ David Court report on local film making in New Zealand.  Changes have already been made at the NZ Film Commission prior to and following that report.  The MCH and MED are looking at other areas of the screen sector which includes screen training and professional development.

    Ngā Aho Whakaari will be meeting with the MCH and MED during SPADA at the end of the week.

    Māhere Reo

    He reo e kōrerotia ana, he reo ka ora

    Te Mangai Paho recently held a Language Planning workshop in Auckland inviting Independent Production Companies, Te Reo Māori consultants and Producers to attend to learn more about the Māori Language plans requirements.

    The Māori Language plans are viewed by Te Mangai Paho as an essential component of each television proposal seeking funding from Te Mangai Paho.

    The strategic direction of Te Mangai Paho is summed up in their Statement of Intent 2011-2016 (available online or in hardcopy).  “Our vision is Māori language – everywhere, everyday, in every way!”  To this end Larry Parr, Television Manager at Te Mangai Paho says the ultimate goal is for te reo Māori to be the language of communication from the engagement with Producers to the Statement of Intent.

    The Māori language plans for programmes require programme specific Māhere Reo with a specific language outcome.  Language consultant and Producer of Pukana, Pania Papa took those attending through the various aspects of language planning, language outcomes and discussed issued as they were raised.  It was a fascinating discussion.    One interesting aspect was that it was more difficult to produce language plans for programmes that were aimed at the “receptive audiences” and had limited Māori language.    Pania Papa also advised that Producers, Production Companies and Te Reo Māori consultants should consult a number of documents which are readily available as references for their own language plans.  These include Te Rautaki Māori Strategy, reports that follow the Strategy, Te Reo Mauri Ora Report, Te Mangai Paho’s Statement of Intent 2011-2016 and also the various iwi language plans such as Iwi Kaika, Whanganui, Raukawa ‘s Whakatipu 2000, Tainui 2050 and Tauranga Moana.

    As part of the overall discussion which came out of this fascinating workshop Ngā Aho Whakaari is looking at instigating regular informal te reo Māori clubs and classes which are specific to the film, television and video industries.

    Larry Parr says that Te Mangai Paho is a Māori language agency and it’s role to promote and play an active part in the revitalisation of the Māori language.  But that role should not get in the way of “good story-telling”.

    IMPORTANT DATES REMINDER

    • All day working Board Meeting December 9th
    • Shared Industry Christmas Party,  Thursday 15th December 2011 at the Long Room, Ponsonby Road, Ponsonby.  Details will be posted on the Ngā Aho Whakaari’s website, facebook page and emails.
    • National Hui postponed to March 2012

    Welcome To The Firm 2011
    Saturday 3rd December
    St Columba Centre, 40 Vermont Street, Ponsonby

    Want to know about the screen industry from the inside?
    Want to find out what particular jobs are all about?
    Want to hear how senior women got where they are today?

    This is an informal and fun event for women wanting to learn more and/or decide on a career path.  There are two small group roundtable discussions, followed by afternoon tea and an Employers’ Panel.  The presenter guest list includes senior women across the sector:  Sumner Burstyn, Christina Milligan, Roi MacGregor, Margot Francis, Di Rowan, Diane Taylor and more tbc…

    $10 WIFT NZ members / $15 non-members – includes afternoon tea.  Reservations essential.  Book your place here http://www.wiftnz.org.nz/events/wift-nz-events/welcome-to-the-firm-2011.aspx?d=2011-12-03

    The NZ Film & Video Technicians’ Guild are seeking office space and have a fixed term vacancy.

    OFFICE SPACE:
    Requirements are fairly minimal – space for full time desk and admin, plus room to have Accounts Officer in for a few hours per week.
    Contact the office: info@nztecho.com <mailto:info@nztecho.com?subject=OFFICE%20SPACE> with any potentially suitable office spaces


    FIXED TERM VACANCY – Expressions of Interest:

    NZ Film & Video Technicians’ Guild
    The Techos’ Guild is seeking someone to cover the role of Executive Officer, while the current EO is on parental leave from February 2012.    The duration of the fixed term is negotiable from 6 – 12 months.

    The role is varied and challenging, 30 hours per week, with flexible family-friendly working conditions, and the possibility of the successful applicant working from a home office in the Auckland area.  Reimbursement for floor area would be paid on top of wages.   Suit someone with great computer, people and organisational skills who is familiar with the Screen Production Industry. Contact the current EO: info@nztecho.com <mailto:info@nztecho.com?subject=EO%20Position> with expressions of interest

    Ng

    Ngā Aho Whakaari Pānui

    Whiringa-ā-rangi/ November 2011

    E Te Kauhoe,

    Te tamaiti ō Parihaka

    Te uri ō te maunga hauhunga ō Taranaki

    Haere ki te tihi, aa, ki te poho ō te Atua

    Mā Kura haupō, mā Kurahauawatea

    Haere, haere, okioki atu.

    It is with great sorrow and heartbreak that we farewelled our friend, colleague and whanaunga Te Kauhoe Wano this weekend.  Te Kauhoe Wano (Taranaki, Te Atiawa, Ngāti Awa) was a popular and highly regarded broadcaster, avid surfer, presenter, director and producer and Te Reo consultant.  Toa TV the company he founded with his wife Pirihira produced CODE, Te Hikoi Mahanga which he fronted with his twin brother Wharehoka as well as documentaries and sports programmes.  He has three sons.  Te Kauhoe was part of the revival of the Taranaki te reo Māori movement and a Board Member of Ngā Aho Whakaari.

    Moe mai e te rangatira.

    The Rugby World Cup drew to an exciting end.  But there were two winners, first of course much to everyone’s relief and joy the All Blacks won the Webb Ellis Cup becoming the Rugby World Cup champions.  But there was another winner and that was Māori Television.

    Special mention and congratulations has to go to Māori Television’s coverage.  It drew a record number of viewers to Māori Television confounding critics and sending other broadcasters scrambling for answers.  It was music hearing “this is Keith Quinn for Māori Television”.  A job well done.

    • Working full day Board Meeting December 9th
    • Joint Industry Christmas Party  December 15th, The Long Room, Ponsonby Road
    • National Hui postponed to March 2012

    South Auckland Short Film Workshop: Turn your Stories into a Short Film!

    The South Auckland Short Film Workshop held on 15th & 16th October at the Manukau School of Visual Arts, in Otara organized by Script to Screen in association with Ngā Aho Whakaari was without a doubt an amazing success.

    Congratulations to Jodhi Hoani of Māori Television for having the most outstanding script of the weekend.  All the more remarkable as she was up against some writers who have already written and had short films produced.

    There were a number of other gems in the workshops which we hope to see at future dates.  “Keep writing”.

    ************************************************************

    Script to Screen:  Dial a Māori – The Art of Consultation

    Kath Akuhata-Brown (Script to Screen Board Member, Development Exec NZFC) interviewed award winning journalist Maramena Roderick (E Tu Kahikatea, Ka Haku Au, Ka Mate The Haka The Legend) and Lawrence Wharerau (The Piano, Waitangi: What Really Happened) discussed at Script to Screen, Wellington  what it means to engage properly with Māori stories. Kath Akuhata-Brown writes:

    “Facilitated by Kath Akuhata-Brown the panelists were Lawrence Wharerau and Maramena Roderick.  About 30 people attended the session.  The kaupapa was conceived to begin a korero about the nature of consultation on projects in television and film.  It had to do with the idea that in this day and age we are beyond consulting and should be collaborating particularly with Pakeha who are attempting to tell kaupapa Māori stories in whichever genre.  In order to articulate this clearly the focus of the discussion was primarily on telling stories of our own experiences as practitioners irrespective of the form these stories were communicated in.  It became very clear that in order to participate in the art of Māori storytelling there were several key areas one needed to be aware of.  These were:  reo, tikanga, craft, creativity, local knowledge, whakapapa, humility and generosity.   We acknowledged that the coming together of all of the above occurs with experience, and everything to do with the collective memory and the collective unconsciousness.  “

    Important Events

    SPADA Conference

    10-11 November 2011

    SKYCITY Convention Centre, Auckland

    APN Symposium

    11-13 November 2011

    General Elections

    26th November 2011

    This year’s Gala Awards will take place on Saturday, 12 November at Auckland’s stunning new Viaduct Events Centre while the technical brilliance of Film and Television makers will be honoured at the Craft Awards Luncheon to be held on Thursday , 10 November.

    Congratulations to all the Finalists in the Aotearoa Film & Television Awards.  And here are a few of the finalists, with connections to Ngā Aho Whakaari (definitely not the complete list), Best Current Affairs Programme Native Affairs; Images & Sound Best Drama Programme: What Really Happened: Waitangi Eyeworks New Zealand; Māori Lanugage Commission/ Te Mangai Paho Best Māori Language Programme,E Tu Kahikatea Te Noni,  Katerina Te Heikoko Mataira Māori Television, Kowhao Rau Series 1 Kura Productions, Best Children’s/Youth Programme, Kaitangata Twitch ProductionShed.tv, What Now 30th Birthday Show Whitebait TV, Best Information Programme, Whare Māori Episode.1 Kainga Scottie Productions. Best Constructed Reality Series, Are You My Tribe? Claudette Hauiti, Best Performance by a Supporting Actress, Rena Owen Shortland Street; Best Performance by an Actor, Jarod Rawiri What Really Happened: Waitangi; Images & Sound Best Director Drama/Comedy, Peter Burger What Really Happened: Waitangi, Britta Johnstone Stolen; Peter Burger Bloodlines; Best Director Entertainment/Factual Karen Mackenzie & Michael Bennett Whare Māori Episode.1 Kainga Best Production Design Tracey Collins What Really Happened: Waitangi Best Original Music in a Feature Film Don McGlashan Matariki Best Production Design in a Feature Film Miro Harre Matariki Best Short Film Ebony Society StanStrong Best Screenplay for a Short Film Tammy Davis Ebony Society.

    SESSIONS AT SPADA OPEN TO EVERYONE

    The upcoming SPADA Conference (November 10th & 11th ), is offering a suite of Open Sessions to non-delegates at this year’s SPADA Conference. Everyone is welcome to participate in the full two days (discounted guild rates are available) but if you are unable to attend, these are the sessions that are open to everyone.

    Friday November 11th

    9.30 11.00am

    Epsom Room 2 & 3

    Park Road Masterclass

    Next Generation Feature Film Workflow: On-Set to On-Screen

    Tony Pratt and Phil Oatley take us through the paces.

    Friday November 11th

    9.30 11.00am      Epsom Room 1

    NZFC Low-Budget Escalator Scheme

    An opportunity to listen to some of the 2010 Escalator teams including the producers of Existence and Timeslow – as they recap on their experiences: what worked, what to look out for: and what next.
    Moderator: Bonnie Slater, NZFC.

    Friday November 11th

    2.15 3.15pm  Epsom Room 2 & 3

    Ministry for Economic Development (MED)/Ministry for Culture and Heritage (MCH) Seminar

    Screen Sector Work Programme

    MED and MCH will introduce the work programme, and outline progress to date; before opening up the session for comments/feedback.

    Friday November 11th

    3.45-4.45pm Epsom Room Need Guidance with the Guidelines?

    An opportunity to discuss the NZFC’s new Development and Production Financing guidelines with Katherine Fry &NaomiWallwork.
    SDGNZ DRAMA EDITING WORKSHOP WITH ANNIE COLLINS

    The Screen Directors Guild of New Zealand is pleased to announce award winning film and television editor Annie Collins will be holding a drama editing workshop at The Film School, 86 Vivian St, Wellington.

    2 December 2011 7pm – 9pm

    3 December 2011 8am – 6pm

    4 December 2011 9am – 6pm

    Applicants must be Fully conversant with Final Cut Pro, A New Zealand citizen or permanent resident who has lived in New Zealand for at least the last six months, and available for all days of the workshop. SDGNZ members selected for the workshop will attend for free. Non-members will be required to pay $100+GST.

    Applications must be sent via email to: kate.stevenson@sdgnz.co.nz by 5pm Friday 11th November, and include a letter outlining your reasons to attend the workshop and the perceived benefits from attendance, your CV or filmography listing your editing experience and your SDGNZ membership number (if applicable). Successful applicants will be informed by Monday 14th November.

    And so much more check out www.nzfilm.co.nz and keep up to date with the exciting New Zealand film industry.

    Ngā Aho Whakaari SINZ

    Ngā Aho Whakaari is part of a new combined industry group called “Screen Industry New Zealand” or SINZ.

    The group comprises the New Zealand Film & Video Technicians’ Guild (NZFVTG) NZ Actors Equity (NZ Equity), Screen Directors Guild of NZ (SDGNZ) Screen Production and Development Association (SPADA) and Women in Film and Television(WIFT) with of course Ngā Aho Whakaari.

    Ella Henry as the new Chair for Ngā Aho Whakaari attended this meeting last week which included a visit by representatives of the Ministry of Culture and Heritage (MCH) and the Ministry of Economic Development (MED).  These two departments are following up the Sir Peter Jackson/ David Court report on local film making in New Zealand.  Changes have already been made at the NZ Film Commission prior to and following that report.  The MCH and MED are looking at other areas of the screen sector which includes screen training and professional development.

    Ngā Aho Whakaari will be meeting with the MCH and MED during SPADA at the end of the week.

    Māhere Reo

    He reo e kōrerotia ana, he reo ka ora

    Te Mangai Paho recently held a Language Planning workshop in Auckland inviting Independent Production Companies, Te Reo Māori consultants and Producers to attend to learn more about the Māori Language plans requirements.

    The Māori Language plans are viewed by Te Mangai Paho as an essential component of each television proposal seeking funding from Te Mangai Paho.

    The strategic direction of Te Mangai Paho is summed up in their Statement of Intent 2011-2016 (available online or in hardcopy).  “Our vision is Māori language – everywhere, everyday, in every way!”  To this end Larry Parr, Television Manager at Te Mangai Paho says the ultimate goal is for te reo Māori to be the language of communication from the engagement with Producers to the Statement of Intent.

    The Māori language plans for programmes require programme specific Māhere Reo with a specific language outcome.  Language consultant and Producer of Pukana, Pania Papa took those attending through the various aspects of language planning, language outcomes and discussed issued as they were raised.  It was a fascinating discussion.    One interesting aspect was that it was more difficult to produce language plans for programmes that were aimed at the “receptive audiences” and had limited Māori language.    Pania Papa also advised that Producers, Production Companies and Te Reo Māori consultants should consult a number of documents which are readily available as references for their own language plans.  These include Te Rautaki Māori Strategy, reports that follow the Strategy, Te Reo Mauri Ora Report, Te Mangai Paho’s Statement of Intent 2011-2016 and also the various iwi language plans such as Iwi Kaika, Whanganui, Raukawa ‘s Whakatipu 2000, Tainui 2050 and Tauranga Moana.

    As part of the overall discussion which came out of this fascinating workshop Ngā Aho Whakaari is looking at instigating regular informal te reo Māori clubs and classes which are specific to the film, television and video industries.

    Larry Parr says that Te Mangai Paho is a Māori language agency and it’s role to promote and play an active part in the revitalisation of the Māori language.  But that role should not get in the way of “good story-telling”.

    IMPORTANT DATES REMINDER

    • All day working Board Meeting December 9th
    • Shared Industry Christmas Party,  Thursday 15th December 2011 at the Long Room, Ponsonby Road, Ponsonby.  Details will be posted on the Ngā Aho Whakaari’s website, facebook page and emails.
    • National Hui postponed to March 2012

    Welcome To The Firm 2011
    Saturday 3rd December
    St Columba Centre, 40 Vermont Street, Ponsonby

    Want to know about the screen industry from the inside?
    Want to find out what particular jobs are all about?
    Want to hear how senior women got where they are today?

    This is an informal and fun event for women wanting to learn more and/or decide on a career path.  There are two small group roundtable discussions, followed by afternoon tea and an Employers’ Panel.  The presenter guest list includes senior women across the sector:  Sumner Burstyn, Christina Milligan, Roi MacGregor, Margot Francis, Di Rowan, Diane Taylor and more tbc…

    $10 WIFT NZ members / $15 non-members – includes afternoon tea.  Reservations essential.  Book your place here http://www.wiftnz.org.nz/events/wift-nz-events/welcome-to-the-firm-2011.aspx?d=2011-12-03

    The NZ Film & Video Technicians’ Guild are seeking office space and have a fixed term vacancy.

    OFFICE SPACE:
    Requirements are fairly minimal – space for full time desk and admin, plus room to have Accounts Officer in for a few hours per week.
    Contact the office: info@nztecho.com <mailto:info@nztecho.com?subject=OFFICE%20SPACE> with any potentially suitable office spaces


    FIXED TERM VACANCY – Expressions of Interest:

    NZ Film & Video Technicians’ Guild
    The Techos’ Guild is seeking someone to cover the role of Executive Officer, while the current EO is on parental leave from February 2012.    The duration of the fixed term is negotiable from 6 – 12 months.

    The role is varied and challenging, 30 hours per week, with flexible family-friendly working conditions, and the possibility of the successful applicant working from a home office in the Auckland area.  Reimbursement for floor area would be paid on top of wages.   Suit someone with great computer, people and organisational skills who is familiar with the Screen Production Industry. Contact the current EO: info@nztecho.com <mailto:info@nztecho.com?subject=EO%20Position> with expressions of interest

    a Aho Panui Whiringa-Rangi November 2011 FINAL


    read more...

    New Board

    Nga Aho Whakaari are please to annouce their new Chair and new Board.  Tearepa Kahi has stepped down after three years as Chair of Nga Aho WhakaariElla Henry was unanimously voted on as the new Chair.

    Ella  is of Ngātikahu ki Whangaroa, Ngāti Kuri, Te Rārawa descent.  She has Bachelor of Arts (1990, University of Auckland), Master of Philosophy (1995, Management Studies, University of Auckland), and is a PhD Candidate in Māori Development, Te Ara Poutama, Auckland University of Technology, which she has just completed. Ella is a Senior Lecturer in Māori Development at AUT, and is the mother of three wāhine atāhua.

    Ella writes, “Ka nui te mihi ki a koutou ngā kaihoe o te waka Ngā Aho Whakaari, tena koutou katoa. I have had the good fortune to be involved with Nga Aho Whakaari since its inception in 1996, and believe passionately in its Kaupapa, to empower Māori practitioners, and to represent our interests across the spectrum in Aotearoa New Zealand. This organisation began with that agenda, which has over time evolved and progressed the interests of our constituency.

    I have been a member of the Executive, from 1996-2000, and acted in advisory and supporting role, assisting with strategic planning 2001-2003. However, in recent years I have been pre-occupied with completing my PhD, which I hope to finish in December 2011, and believe that I can make a further contribution to Ngā Aho Whakaari in the future. “

    The new Board is Christina Milligan, Lara Northcroft, Lavinia Kingi, Lawrence Wharerau, Noa Campbell, Peter Burger, Quinton Hita, Ratu Tibble and Tearepa Kahi.

    Congratulations to all those nominated and who took part in the new election processes.  Nga Aho Whakaari is looking forward to further developments in its organisation including reviewing the tenure of the Board, reviewing the membership fees and updating and fine tuning the constitution.

    Ehara taku toa, he toa taki tahi, he toa taki tini.

    Tihe mauri ora!


    read more...

    AGM 28th September 2011

    Please note that the Nga Aho Whakaari AGM is to be held on Wednesday 28th September 2011 from 1230-1530 at the Big Picture, Auckland Fish Markets, Jellicoe Street, Freemans Bay, Auckland.

    To nominate the Chair and the members of the Executive you need to send in a written nomination form to admin@ngaahowhakaari.co.nz  or post or deliver at least 14 days prior to the AGM.

    Click here for the Nomination Form – Executive -NAW 2011

    You also need to be a paid up member to vote. Click here to re-register or register as a Membership registration form – Nga Aho Whakaari


    read more...

    Nga Aho Panui – 31 Here-turi-koka 2011

    Ngā Aho Whakaari Pānui

    31 Here-turi-kōkā 2011

    E tū Taranaki,

    Mau parekawakawa e

    Tangi tikapa nei

    Paki ana, paki ana

    Ko Kurahaupō ki te pō

    Ko Kurahauawatea ki te rā

    E kore tōna momo e hoki mai ana anō

    Haere e Tā, haere atu ra

    It is with great sadness that Aotearoa farewelled Sir Paul Reeves this month.

    He was a man of the cloth, who held the highest position in the land and believed he lived to serve. Sir Paul Reeves New Zealand’s first Maori Governor-General died this month aged 78 from cancer.

    He was Govenor General from 1985 to 1990, and is survived by his wife, three daughters and six grandchildren.

    Sir Paul held New Zealand’s highest honour, the Order of New Zealand.   At 38 Paul Reeves was the youngest Anglican Church bishop, and the first Maori to head a diocese.  He was Bishop of Waiapu, then Auckland, and Archbishop of New Zealand.

    Paul Reeves developed a greater appreciation of his Maori heritage through a posting to a parish of his mother’s people in Taranaki.  As a Maori bishop he helped the Anglican church adopt a unique bicultural constitution.

    Sir Paul Reeves often spoke out on public issues and supported and took part in protest movements.

    In 1985 the Labour Government made him the first Maori and the first cleric in New Zealand to be appointed Governor-General.    During this time Sir Paul tried to refrain from comment about the economic reforms, known as Rogernomics, but in an interview admitted he feared the process was creating a stratified society.”

    He often praised the welfare state that had raised the son of a Wellington tram driver to his position.

    As Governor General Sir Paul Reeves opened Government House to Maori gatherings, putting mattresses on the floor marae-style and took the vice-regal office to people outside its normal social boundaries.

    After his role as Governor General he took the Anglican church, Maori and New Zealand to the world as an Anglican Observer at the United Nations, election observer in Ghana and South Africa, and helped to write constitutions for Fiji and Guyana .  He also chaired the Nelson Mandela Trust.

    In NZ Sir Paul chaired the Queen Elizabeth II National trust ,the Bioethics Council and helped select judges for the new Supreme Court.

    Sir Paul Reeves was also Chancellor of Auckland University of Technology.

    Maori Television again came to the party recognizing the national significance of the passing of this great man and covered his state funeral live!

    Nga Aho Whakaari’s AGM Wednesday 28th September 2011

    National Hui postponed to March 2012

    Waikaremoana Script Writers Workshop postponed

    Nga Riu o Hokianga Writers Workshop – development 24 September 2011.

    Nga Aho Whakaari’s AGM is to be held on Wednesday 28th September at the Big Picture, Jellicoe Street, Auckland. All members are urged to attend to nominate the next Board who will guide our organisation throught the next year.

    Please note there have been changes to the Nga Aho Whakaari Constitution which were passed at the 2010 AGM and now come into effect.   All Nga Aho Whakaari financial members must be notified of the AGM at least 21 days prior to the event.

    If you have not had this notification please contact Nga Aho Whakaari at admin@ngaahowhakaari.co.nz as we may have an old or incorrect  contact details.

    Election of the Chair and the Executive must now be in writing at least 14 days before the AGM. Proxy forms are available for those who cannot attend.

    Also note “The Executive shall comprise of not less than six (6) and not more than (9) persons including the Chair”.

    These changes were agreed to at the last AGM in order for the Nga Aho Whakaari Board to be more accountable and more professional as we move into further development & pursuit of greater representation for our people.

    ********************************

    The RWC 2011 and other events have pushed back our National Conference. We are now aiming for March 2012.

    ********************************

    Unfortunately the Waikaremoana Script Workshop had to be postponed but when I heard about how cold it was, perhaps it was for the best.  We will reset another date that suits the Haukainga and our Facilitators.

    ********************************

    Nga Riu o Hokianga or the Script Writers Workshop at Kōkōhuia Marae in Omapere, will be held on 23rd -24th September 2011 where intial draft scripts will continued to be developed further.

    Important Events

    Nga Aho Whakaari AGM Meeting

    28th September 2011

    1230-1530

    The Big Picture, Auckland Fish Markets, Jelllicoe Road, Freeman’s Bay, Auckland.

    SPADA Conference

    10-11 November 2011

    SKYCITY Convention Centre, Auckland

    APN Symposium

    11-13 November 2011

    UNITECH, Auckland

    PAKIPŪMEKA 2012 – Maori Television

    REQUEST FOR PROPOSALS

    NZ On Air has approved funding for a strand of 10 documentaries for broadcast on Māori Television.  We are now seeking two page pitches to consider for this documentary strand.

    Specific Programme Requirements

    • As prescribed by NZ On Air, a minimum of 5 documentaries are to be Māori as defined by the NZ On Air Rautaki Māori policy
    • Documentary duration to be 52 minutes
    • Te Reo content to be 30% or less
    • Most of them must be able to be completed and delivered by end of June 2012. Up to two documentaries may have a longer time frame.

    Knowing Ourselves – Knowing Each Other” is the kaupapa of the documentary strand.  This allows a wide range of subsets within the documentary genre; historical, contemporary, profiles of individuals and causes.  It also provides a firm principle that the documentary must help us understand ‘ourselves’ – our country, our people, our culture, our heroes.

    At the heart of all documentaries submitted there needs to be a compelling story with a fresh perspective.

    The documentaries will be assessed and finally selected by a panel comprised of Māori Television and NZ On Air representatives.

    All 2 pages pitches must be delivered via emailed PDF (no Word documents) please to this address: proposals@maoritelevision.com by 5pm FRI 9th September 2011.­ Please ensure you have a name and contact email address on both pages of your proposal. Pitches must have attached the two page pitch cover sheet which is available on the Māori Television website.

    Any further information please contact the Commissioning Department:

    Annie Murray Mātai Smith

    Commissioner Commissioner

    Ph: (09) 539 7161 (09) 539 7147

    annie.murray@maoritelevision.com matai.smith@maoritelevision.com

    Waikaremoana Script Workshop

    Due to a clash of dates for the Waikaremoana Script Workshop for the Facilitators this has been postponed until a later date.  More details soon.       Any queries regarding this Workshop please contact Hineani Melbourne at admin@ngaahowhakaari.co.nz.

    SINZ POLITICAL FORUMS

    Screen Industry New Zealand presents pre-election political forums in Auckland and Wellington.

    Hear the policies, talk about the issues, be informed!

    Facilitated by Wallace Chapman, from TVNZ 7 Backbenches

    Representatives from across the political spectrum will speak on their policies and answer questions from the Chair and the floor.

    AUCKLAND
    Date: Monday 5th September 2011
    Time: 6-8pm
    Place: Saint Columba Centre, 40 Vermont Street, Ponsonby

    WELLINGTON
    Date: Thursday 8th September 2011
    Time: 6-8pm
    Place: The Film School, 86 Vivian Street, Wellington.

    Please be prompt for a 6pm start. Drinks from 7.30pm

    Screen Industry New Zealand is comprises New Zealand Film and Video Technicians’ Guild (NZFVTG), New Zealand Writers Guild (NZWG), Nga Aho Whakaari (NAW), NZ Actors Equity (NZ Equity), Screen Directors Guild of New Zealand (SDGNZ), Screen Production and Development Association (SPADA) and Women in Film and Television (WIFT).

    Te Mangai Paho

    Television Funding Round 2

    Closing Deadline 5pm Friday 16 September 2011

    Board Hui -13 October 2011

    Decisions advised -14 October 2011

    The RFP (Request for Proposal) Guidelines For Producers is now available online. Please read

    carefully as there are some amendments. You will also note several changes to the

    Proposal Format & Outline and Required Appendices

    ———————————————————————-

    Digital Initiatives Funding Round

    Closing Deadline 5pm Friday 16 September 2011

    Board Hui -13 October 2011

    Decisions advised -14 October 2011

    The RFP (Request for Proposal) Guidelines For Producers and the Proposal Format Outline and Required Appendices are now available online.  Please read carefully as there are some amendments.

    ———————————————————————-

    Te Mangai Paho advise that in line with their increased focus on delivering language outcomes, have increased the value assigned to language based components and reduced the value assigned to the financial/corporate based elements.     Further changes are still being considered to simplify the administrative RFP process for the

    production community. Our practice is to discuss any significant changes with the industry before we

    embark on them and we are still continuing this consultation process.

    ———————————————————————-

    Maori Language Plans and Language Outcomes Workshops

    Thank you to those who have registered their interest in attending a workshop to develop language planning capacity. If there are still other industry members who would like to attend, then please contact Lynne or Yvette by Wednesday 24 August to register your interest.

    We will confirm logistical issues such as dates and venues as soon as possible to allow you time to plan your attendance.

    lynne@tmp.govt.nz or  yvette@tmp.govt.nz

    Mā Te Reo Funding Opens

    Te Taura Whiri i te Reo Māori announces the opening of the 2011 Mā Te Reo funding round and confirms there will also be another round in 2012.

    Mā Te Reo is a community based funding programme established by government in 2001 to support projects, programmes and activites that contribute to local level Māori language regeneration.

    The fund is administered on behalf of government by Te Taura Whiri i te Reo Māori, who distributes $1.8 million annually in the form of conditional grants to iwi, hapū, whānau, Māori organisations and individuals.

    The 2011 funding round opens on Monday 29 August 2011, and closes Friday 7 October 2011 at 5pm. Applications to the fund are made online. While we encourage you to apply on-line, you can also submit an application in hard-copy.

    “Because this funding pool is aimed at community and whānau based groups, many of the initiatives created as a result of this support contribute directly towards the intergenerational transmission of the language, which is an important aspect of te reo Māori revitalisation. We hope to support many more locally led projects in this year’s funding round“, says Glenis Philip-Barbara, Chief Executive of Te Taura Whiri i te Reo Māori.

    “We encourage iwi, hapū and other community providers to collaborate and work together in the development of their applications. This will ensure strategic and targeted distribution of funding across regions“.

    For more information visit www.ma-tereo.co.nz or contact the Mā Te Reo team on 0800 MĀ TE REO.

    APN Symposium, Auckland 11-13 November 2011

    In 2011, Auckland will host the 6th APN Symposium from 11-13 November, bringing to New Zealand one of the most powerful groups of filmmakers ever to visit this country.

    Nga Aho Whakaari will be part in this Symposium

    The Asia-Pacific Producers’ Network (APN) is a group of more than eighty leading screen producers, primarily from China, Hong Kong, Japan, Korea, Taiwan, Singapore and New Zealand. Formed in 2005 with the aim of encouraging co–productions, collaboration and joint projects, it is an organisation made up of powerful producers, studios and distributors all interested in getting business done.

    APN Membership is open to experienced screen professionals who are engaged in film production at a senior level. Please contact Michael Brook at Film Auckland for further detail – michael@filmauckland.com

    One of the key initiatives of the APN is an annual symposium where members meet to network, discuss projects and identify opportunities. Last year in Korea, over 15 projects were pitched and discussed at the gathering.

    APN members wishing to register for the symposium can click the link below to begin the registration process. The first 15 registrations received will be entitled to a $400 travel subsidy.

    Members of the New Zealand industry can register online with a credit card for the forum component of the Symposium which is taking place on Sunday 13 November at UNITEC from 9am-3.30pm. A keynote address, panel discussions, and a pitching forum will be open to local industry, at a cost of $172.50 (GST incl.) including a catered lunch.

    What’s up?

    Keep up with events for Nga Aho Whakaari on the Nga Aho Whakaari Facebook page.

    Te Paepae Ataata and Iwi to nurture tangata whenua film voice.

    Te Paepae Ataata, a Māori film development organisation has recently announced an exciting new initiative to make more films in Te Reo Māori.  The initiative is ‘Waharoa’ and it represents “an alternative approach to Māori filmmaking”, says Māori filmmaker Tainui Stephens.

    The Waharoa project is designed to:

    1. Foster a filmic relationship with iwi.

    2. Engage the appropriately skilled filmmakers of an iwi.

    3. Create Māori language films that speak to their respective iwi identities.

    Te Paepae Ataata, an organisation funded by the New Zealand Film Commission, will collaborate with iwi to both nurture and develop their established emergent film talent. The Waharoa strategy will encourage iwi to tell their own stories.

    Te Paepae Ataata’s first portfolio will focus on the stories of Māui.  Each

    iwi will select a writer(s) to reinterpret aspects of the Māui legend in a traditional or contemporary context. These stories will be made into low budget short films that might find a place in a larger portmanteau film feature format.

    There is no doubt that the Māori dimension in New Zealand film is both successful and becoming more evident. Te Paepae Ataata exists to nurture and develop ‘tangata whenua cinema’ by supporting the creativity of Māori, whose storytelling traditions are unique not just to this country – but to the world.

    “We believe a ‘hands-on’, project-driven partnership between Te Paepae Ataata and iwi is an important step in the growth of Reo Māori film – Cinema that is born of the Māori world within which we dwell. The Maori world is traditional and modern; sacred and profane; individualistic and collective. It is replete with stories of the human condition. The Waharoa project will reveal and celebrate that.” – Tainui Stephens.

    Te Paepae Ataata is a not-for-profit organisation funded by the New Zealand Film Commission to develop Maori feature film scripts.  The organisation was established in 2008.

    The Paepae aims to:

    • secure the rangatiratanga of iwi by offering leadership and the guardianship of film;
    • ensure that the spiritual core of films we support is clearly Māori;
    • advocate for indigenous film worldwide on the basis that indigenous film is given the opportunity to reach its audiences whether that be on the marae or in urban multiplexes.

    The Paepae’s processes are driven by tikanga that unlock reciprocal respect for the mana of the film image, of humanity, and of an authoritative Māori position.

    Te Paepae Ataata is represented by Larry Parr, Tainui Stephens, Rawiri Paratene, Kathryn Akuhata Brown, Ainsley Gardiner and Lawrence Wharerau.

    For more information please contact:  Renee Mark 0272244541 renee@paepae.co.nz

    See  www.paepae.co.nz for more information.

    9th FIFO
    The call for entries for our next FIFO is open for another couple of weeks – until the 1st of October. Our pre-selection committee has started viewing the entries we have received so far. Do not hesitate to send your application – we happily welcome all new Oceanian documentaries that are made to be seen.

    Among the 200 documentaries we receive every year, around 20 are chosen to be in competition and will be presented to our international jury, a group of assorted professionals of the audiovisual industry and renowned members of the cultural sector. They will be awarding a ‘Grand prix’ and three ‘Prix speciaux’, ranging from 4200 € to 2500 €. The rest of the chosen films, running out of competition, will be, nevertheless, competing for the ‘Audience Award’.

    Besides this main event, a colloquium of broadcasters will be held on several afternoons, reassembling professionals, producers and directors from the region and program responsables.  An international pitching event, Oceania Pitch, will be organized for the 3rd time, inviting project proposers to present their ideas to an audience of commissioning editors. A night of Oceanian short films will be opening the festival, giving space to the fiction producers of the region.

    The competition is open to all productions concerning Oceania, who have been completed within the last three years. There are no inscription fees. To inscribe yourself, all you need to do is to fill out the attached documents add three viewing copies of your film, and either send them to the adress indicated on the form or deposit them at the office of the FIFO, situated at the ‘Maison de la Culture’ in Papeete. All projects – documentaries and short films – are welcome.

    Looking forward to hearing from you,

    Eliane Koller,  for FIFO TAHITI, Réalisatrice, Ethnologue
    vini: 00689.784479, skype: instanteliane.
    Ngā Riu ō Hokianga or the Script Writers Workshop at Kōkōhuia Marae in Omāpere, will be held on 23rd -24th September 2011 where intial draft scripts will continued to be developed further.

    Nau mai haere mai, particularly those who attended the initial Workshop and are ready to move onto the next stage of your script development.

    “Indigenous designs: celebrating stories and cultures, crafting their own future”

    The International Day of the World’s Indigenous People (9 August) was first proclaimed by the General Assembly in December 1994, to be celebrated every year during the first International Decade of the World’s Indigenous People (1995 – 2004).

    In 2004, the Assembly proclaimed a Second International Decade, from 2005 – 2015, with the theme of “A Decade for Action and Dignity.”

    The focus of this year’s International Day will be Indigenous designs: celebrating stories and cultures, crafting our own future.

    This theme highlights the need for preservation and revitalization of indigenous cultures, including their art and intellectual property. It can also be used to showcase indigenous artists and cooperatives or businesses who are taking inspiration from indigenous peoples’ customs and the indigenous communities who may have participated or benefited from this.

    It is also a reminder of the responsibility of individuals as consumers, to understand that there is a story and a personal experience behind every piece of cloth, textile or artwork from an indigenous individual or community.

    At UN Headquarters on 9 August, there will be a special event focusing on intellectual property in relation to indigenous designs, as well as best practices for protecting indigenous arts and crafts.

    Source: http://www.un.org/en/events/indigenousday/

    Together, let us celebrate and recognize the stories, cultures and unique identities of indigenous peoples around the world. At the same time, let us work to strengthen their rights and support their aspirations.”

    Secretary-General Ban Ki-moon
    Message for the 2011 International Day
    of the World’s Indigenous People

    Important Websites

    Here are some important websites Nga Aho Whakaari members and associates should check regularly

    New Zealand Film Commission www.nzfilm.co.nz

    Te Mangai Paho www.tmp.govt.nz

    New Zealand On Air www.nzonair.govt.nz

    New Zealand Film Archives www.filmarchive.org.nz

    Broadcasters

    Maori Television www.maoritelevision.com

    TVNZ www.tvnz.co.nz

    TV3 www.tv3.co.nz

    Prime TV www.primetv.co.nz

    Nga Aho Whakaari Board Meetings

    Nga Aho Whakaari’s AGM is on Wednesday 28th September at the The Big Picture,

    Auckland Fish Markets, Jellicoe Street, Freeman’s Bay, Auckland.

    1230-1530

    All Nga Aho Whakaari members are invited to attend.  Send nominations for Chair and Board to admin@ngaahowhakaari 14 days prior to AGM. Elections will be held on the day.

    The remaining Board Meetings for 2011 are as follows.

    30th November 2011

    March 2012 National Conference, Rotorua (date to be confirmed


    read more...

    Pānui – Hōngongoi/July

    Ngā Aho Whakaari Pānui Hōngongoi/ July 2011

    E ngā iwi, e ngā reo, e ngā karangatanga maha o ngā hau e whā, tēnei te mihi atu kia koutou

    katoa.

    Ō tātou mate tūātini, i takoto mai ai i runga i ō tātou marae maha, i runga i ō tātou papa kainga, i

    roto i ō tātou whare, kua uhia rātou ki ngā taumata kōrero e tika ana hei poroporoaki i a rātou.  Nā

    reira, me kī pēnei ake te kōrero, tukuna rātou kia okioki i runga i te moenga roa.  Āpiti hono, tātai

    hono, ko te akaaka o te rangi ki a rātou; āpiti hono tātai hono, ko te akaaka o te whenua kia tātou te

    hunga ora.

    Matariki marks the end of one year and the dawing of the new.  We recall those who have passed,

    we mourn those who at this time leave us, and we bless the gifts of life in its many forms.

    Ngā Aho Whakaari mourns the passing of Jim Vivieaere.

    After a long illness, New Zealand-based artist and independent curator

    James Earnest (Jim) Vivieaere passed away peacefully on June 3 in Auckland

    surrounded by family and friends. He died at the age of 63.

    Jim of Rarotongan descent, was a respected artist and a passionate advocate

    for the pacific contemporary art form.

    One of his most significant contributions to New Zealand art was Bottled

    Ocean (1994), the first survey exhibition of contemporary Pacific Island art in

    the country. In 2007, he exhibited in the major exhibition Le Folauga at the

    Auckland Museum. This exhibition travelled to Taiwan in 2008 and was

    shown at the Kaohsiung Museum of Fine Arts.

    Jim Vivieaere returned to the Kaohsiung Museum in 2009 as co- curator to the exhibition The Great Journey:

    In Pursuit of the Ancestral Realm featuring NZ artists Lisa Reihana, Shane Cotton, Virginia King, Greg Semu and

    Michel Tuffery.

    Over the course of two decades, Vivieaere’s remarkable career included innumerable exhibitions & residencies

    both domestic and international.   Jim Vivieaere’s contribution to Pacific Contemporary Art and the New

    Zealand visual arts scene will long be remembered.

    Nāu te ringa raupā – Nāu te pane amorangi.

    Check out Nga Aho Whakaari on Facebook and website on www.ngaahowhakaari.co.nz

    E te rangatira, e te hoa, moe mai rā.

    For Jim – my best mate

    Na Eliza Bidois

    Jim you are:

    The ocean that washed my heart

    A mountain too lofty to climb

    Uncle to my children …

    Uncle lollies, uncle money  and sweet uncle drunkies

    The Marvin Gaye  in my  soul – singing

    Kahil Gibran with a silent moon of you-

    The soft mouth of each petal kiss

    The Rock … the long time -  the hard place.

    A Russian without a candle …

    A Coconut with boundless milk.

    Each colour …

    Bombay Gin, Absinthe green

    A  magenta night

    The fire between crimson and vermillion

    Hibiscus and sunset

    The sweet smell of tiare

    You my gardenia

    Tahitian dreams of love

    And vanilla rum

    An island without land -  oceans galore

    A soul with boundless energy …

    Seeking Hawaikinui

    Each grain of sand  a memory

    An elusive loveliness between

    the altar of the Gods

    And the endless love of

    Papatuanuku.

    MANA WAKA

    CIVIC THEATRE on QUEEN STREET, AUCKLAND

    Saturday 16th July 2011

    When Merata Mita passed away last Matariki, we tried valiantly to crow bar  one of Merata’s film into the

    New Zealand Film Festival – and despite  all our phone calls from Pukehina Marae, the film program had

    already  been locked off.     This year, we’ve succeeded — thanks to the New Zealand Film Archive  and

    Turangawaewae House and the NZFF. A newly restored film print screening at the grandest film theatre of

    them all, the Civic, 21 years after its original screening in 1990.

    In association with TURANGAWAEWAE HOUSE — NZ FILM ARCHIVES — NZ FILM FESTIVAL.    This screening

    also serves as a one year anniversary celebration of the work and life of Merata Mita.

    Bookings from Ticketek or check out NZ International Film Festival website for other options. Discounts for

    Nga Aho Whakaari members.

    Nau mai, haere mai!

    Check out Nga Aho Whakaari on Facebook and website on www.ngaahowhakaari.co.nz

    Film Cafe

    Film Cafe in the Wintergarden under The Civic, new this year, is a

    comfortable and stimulating cultural hub to gather before, after,

    between (and even during) films, for drinks, snacks and socialising.

    The bar and café will be open from 12.00 pm week days and 2.00 pm weekends.

    Play with the interactive exhibits and blog about your favourite films using the

    free WIFI.

    If you are interested in meeting filmmakers and listening to them talk about

    their work, attend the Script to Screen Filmmaker Talks.

    Sunday 17 July – 6:30 pm

    Script to Screen Filmmaker Talk with editor Annie Collins about Merata Mita’s classic film Mana Waka

    hosted by Nga Aho Whakaari

    22 years ago, a Steenbeck was rolled into a small room beside the dining hall at Tūrangawaewae Marae, along

    with boxes containing roll upon roll of film shot by RGH Manley between 1937 and 1940. In that marae room

    with all that Manley had filmed, Merata Mita and Annie Collins edited and created the seminal documentary,

    Mana Waka. The 2011 NZ International Film Festival marks the 21st anniversary of its original screening in

    1990 – a tribute to the one-year passing of Merata Mita. Tonight, the film’s editor Annie Collins walks down

    memory lane, discussing the story behind the story with MC Tearepa Kahi.

    Nau mai haere mai!

    Opononi Script Writers Workshop

    KOKOHUIA MARAE FRIDAY 29TH JULY – SATURDAY 30TH JULY

    Powhiri 8.30am

    Numbers are STRICTLY limited please email

    Ngā Aho Whakaari Board member Lavinia Kingi

    laviniajk@woosh.co.nz to register.

    Part of the TE WAHAROA initiative with Nga Aho Whakaari & NZ Film Commission

    Check out Nga Aho Whakaari on Facebook and website on www.ngaahowhakaari.co.nz

    Research on Film Distribution

    This week Nga Aho Whakaari as part of their contract with the New Zealand Film Commission has

    secured Ashleigh Grant, BMS  Waikato University student to conduct initial research into an

    Indigenous Film Distribution Network.

    He Waka Kiriata is a direct response to Merata Mita’s aspirations for the distribution of NZ/Māori

    film.  It has not been well understood.  Merata had grand designs towards a comprehensive network

    that would better serve Māori and NZ film makers.   Nga Aho Whakaari are keen for you to share

    your views and to be part of this foundation research.  Ashleigh Grant will be contacting people in

    the few weeks to interview different individuals and organisations about indigenous film

    distribution.   If you believe you can contribute to this research please feel free to contact Nga Aho

    Whakaari.

    Nga Aho Whakaari Board Meetings

    Nga Aho Whakaari’s next Board meeting is on August 17th at the Boardrooms, at the Nga

    Aho Whakaari offices.

    A notice will be sent out at the beginning of August to confirm the time.  The remaining

    Board Meetings for 2011 are as follows.

    21st September 2011

    30th November 2011

    04 December 2011 AGM at Hui-ā-Tau

    Planned Hui-ā- Tau

    Nga Aho Whakaari are planning an annual hui in Rotorua in December.  Planning is underway and

    details will be sent out as soon as possible.  Nga Aho Whakaari had decided not to run a national hui

    this year due to its large number of commitments and the uncertainty of funding in this the Rugby

    World Cup year.  However in the Television Advisory Hui held with Te Mangai Paho, Māori

    Television, TVNZ, Independant Producers and Nga Aho Whakaari it became apparent that Nga Aho

    Whakaari’s national hui was one of the few events that attracted across the board practitioners of

    Māori in  film, television and video from a diverse range of areas from writers, directors, producers,

    technicians, administrators, actors and the many other roles Māori play in these industries.  The hui

    also provide the opportunity to meet and talk with funders, broadcasters.  This Hui-ā- Tau will

    examine the future of our industry in a rapidly changing national and international environment.

    Check out Nga Aho Whakaari on Facebook and website on www.ngaahowhakaari.co.nz

    Letter from Katie Wolfe in New York

    I am in New York for a month working on a screenplay which is in early development with the NZ

    Film Commission. It’s a comedy about a young Māori girl forced to confront her culture, one she has

    nothing to do with, when asked to form a waiata group at the Government department she works in.

    I am working alongside some other filmmakers in a hot and stuffy Brooklyn apartment. These are film

    makers I have met at various festivals and we have all stayed in touch. It’s a lively environment.

    I am also accompanying Shane Bosher, artistic director of Silo theatre, to see New York theatre – He

    is here for a month long theatre trip and is also in the hot and stuffy Brooklyn apartment.

    It is great to have this time to focus on writing. In Aotearoa I am full time Mum to my tamariki, who

    both being in Kura Kaupapa means my time is very much with them and the Kura whanau. I value

    this time away greatly.

    I am also attending Frameline in San Francisco with Witi Ihimaera and Nicloe Hoey.

    Night In The Gardens In Spain, now renamed Kawa, is having its North American release.

    Kawa then goes on to play Los Angeles, Switzerland and South Africa.

    I am very intrigued and nervous to see its impact off shore. There has been some feelings of

    disappointment in NZ that this iconic gay novel was not fully realised in the television format.

    A central axis of the novel is the juxtaposition of sexual liberation and loss of childhood innocence.

    Of course the sex didn’t make it to TV. It’s a pity but I believe, that the fact that it was made at all is

    the thing.   Also the refocus of the story to that of a Māori Kaupapa has been seen as a colonisation

    of the novel – this I find very interesting indeed.   It shows how deeply personal literature can be to

    the reader.

    Kia ora na Katie.

    News Archive Librarian

    Māori Television has an exciting new opportunity for a full time position in the News Archive Library in

    Auckland, the successful applicant will become a member of a small close knit team which operates 7

    days a week providing a high level of service to library users.

    Responsibilities will include sourcing and supplying appropriate footage for journalist’s requests in an

    efficient and timely manner, viewing and cataloguing footage and maintaining documentation

    databases and archives.

    The ideal person must be available to work weekends and be comfortable with technology, possess

    excellent communication and organisational skills be of reliable and trustworthy character and have

    experience in Television and Library however full training can be given. An understanding of tikanga

    and te reo Māori is a strong preference for this role.

    Applications close midday Friday 15th July 2011

    Check out Nga Aho Whakaari on Facebook and website on www.ngaahowhakaari.co.nz

    Executive Producer – Digital News and Current Affairs

    New Zealand’s indigenous broadcaster, Māori Television, is seeking an Executive Producer Digital

    News and Current Affairs to lead the implementation of its Digital News and Current affairs strategy.

    You will be a leader who can inspire your colleagues and have the ability to build the presence,

    quality and reputation of Māori Television’s Digital News and Current Affairs initiatives. As a senior

    journalist you will have worked at the front line of news and current affairs reporting which will be

    further complimented by experience in a Digital news setting.

    This role will suit a dynamic and flexible leader who is excited at the future opportunities for the

    creation and distribution of on-line News and Current affairs.

    Knowledge of te reo Māori and tikanga is an advantage.

    Applications close 5pm, 31 July 2011.

    To apply please send letter and CV to:

    Pumanawa Tangata Department

    Māori Television,  PO Box 113 017, Newmarket, Auckland

    or email hr@Māoritelevision.com.

    Scope of Te Mangai Paho Funding Assessment Critique

    TMP have received some questions about the scope of critique that Assessment Panelists may

    venture into as part of the assessment process.

    The assessment process looks at the full scope of the proposal including the details of the production

    company and the merits of the programme concept and treatment.

    This is clearly set out in the assessment criteria published in our RFPs.

    TMP does not editorialise in its decisions, the primary factors upon which TMP bases its decisions are

    risk and language. If TMP is to be responsible for administering and managing the risk it needs to be

    able to decide who represents an acceptable risk.

    Where the Assessment Panel believes that changes are required to better serve TMP’s objectives, it

    may recommend accordingly.  These will encompass a thorough review of the project including the

    concept and treatment.  Te Mangai Paho is statutorily empowered to set the terms and conditions for

    funding in pursuit of its statutory aims.

    If the approved funding (sometimes with further terms and conditions as the Board sees fit) is

    accepted by the producer, from that point on, only the broadcaster may exercise external editorial

    comment over the production.

    TMP exercises no editorial control and relies totally on the broadcaster’s advice that it accepts the

    programme and language in terms of making contract payments.

    The latest issue of Te Purapura, is available on the Te Mangai Paho website:

    http://www.tmp.govt.nz/television.html

    Check out Nga Aho Whakaari on Facebook and website on www.ngaahowhakaari.co.nz

    Aotearoa Film & Television Awards – Reminder

    Formerly known as the Qantas Film and Television Awards, the Awards are back in 2011 but

    with a fresh look and a new name that better reflects the nature of the Awards – the Aotearoa

    Film & Television Awards (AFTAs).

    Approximately sixty AFTAs will be awarded between the two Awards ceremonies, and a

    complete list of award categories and criteria are available at this website.

    With the very strong slate of films and television programmes produced in New Zealand over

    the past year, organisers expect this year’s Awards to be the most hotly contested in years.

    Event Date

    Online Entry Deadline Wednesday 10 August 2011

    DVD Entry Deadline Friday 12 August 2011

    Award Tickets on Sale Mid August

    Craft Awards Thursday 10 November 2011

    Gala Awards Ceremony Saturday 12 November 2011

    The Big Idea / Te Aria Nui

    Is a great site with some interesting vacancies and news http://www.thebigidea.co.nz/

    Upcoming Events

    In our next issue we will have news about our next Script Writers workshop in

    Waikaremoana, more on the planned Hui-ā-Tau and other events.  Please feel free to send

    in your items for inclusion and your feedback.

    Noho ora mai koutou katoa i roto i ngā manaakitanga katoa.


    read more...

    Nga Aho Whakaari Panui – Pipiri 2011

    Opononi Script Writers Workshop

    KOKOHUIA MARAE FRIDAY 29TH JULY – SATURDAY 30TH JULY

    Powhiri 8.30am

    Numbers are STRICTLY limited please email

    Nga Aho Whakaari Board member Lavinia Kingi

    laviniajk@woosh.co.nz to register.

    Part of the TE WAHAROA initiative with Nga Aho Whakaari & NZ Film Commission

    TE ARA KI TE PAEPAE – Pathway to the Paepae

    ARA KI TE PAEPAE is a new Ngā Aho Whakaari initiative with the New Zealand Film Commission to develop short films

    within IWI communities.

    The Paepae Ataata is the dedicated Māori Feature Film Script Development Body.  But a gap currently exists, as many

    talented Māori may possess aspirations to make a feature film, or may have already demonstrated filmmaking talent in

    short film form, but haven’t yet developed the necessary pre-requisite skills and film language to write or make a feature

    film.

    Te Ara Ki Te Paepae: Waharoa is the first step of the pathway which leads exciting new Māori taelnt from the local Marae

    to our script devlopment body, Te Paepae Ataata.

    Te Arepa Kahi says Nga Aho Whakaari will dedicate the second half of the year connecting with IWI based talent in five

    different areas throughout Te Ika a Maui – the outcome being to develop and create up to five short films within IWI

    communities.

    Fresh Shorts and the 48 hour short film along with other initiatives, such as the annual East Coast’s ‘Ngati Short Film

    Competition’ are all leading the way in developing a ‘do it now, do it together’ approach to film making.

    Te Ara ki te Paepae harnesses this attitude and takes it a step further by providing mentorship and funding.

    Our next Script Workshop have will be run in Hokianga on the 29th of July.

    Others are planned for Waikaremoana in August and possibly Horowhenua or Taranaki later in the year.

    Stay tuned and start writing.

    Up dates will feature in our newsletters on our website www.ngaahowhakaari.co.nz as well as on facebook.

    Nau mai!!!

    Waiariki Journalism Reunion

    This weekend on July 2 2011, Waiariki Institute of Technology will host a bicultural journalism reunion at Tangatarua Marae

    on its Rotorua campus.

    According to the Journalism Training Organisation‟s 2006 survey or James Hollings‟ interrogation of the 2006 NZ Census

    data, either 81 per cent or 83 per cent of journalists are European/Pākehā.

    The proportion of Māori, Pacific Island and Asians in newsrooms is pitifully low and this has been a structural, systemic

    problem for decades.

    The Waiariki Institute of Technology continues to train reporters who are aware of Māori culture and values.

    The Diploma in Bicultural Journalism, which incorporates the National Diploma in Journalism, produces graduates who are

    able to work in a bicultural environment as journalists or in other roles in the media.

    The theme is “Bicultural Journalism in Aotearoa – Past, Present and Future‟.

    The reunion will provide an opportunity for Waiariki to celebrate the contribution it has made to NZ journalism through its

    graduates and to raise the profile of its journalism training.

    It will also provide an opportunity for Waiariki to renew links and strengthen relationships with Māori media organisations

    and individual journalists for the long-term benefit of the course.

    The reunion will be an opportunity to market Waiariki students and graduates to potential employers  and provide an

    opportunity for Māori media workers to reconnect with the course as well as with each other.

    The hui is open to all Māori and non-Māori journalists, other Māori working in various fields associated with the production

    of news and current affairs across all mediums, Māori public relations and communications practitioners, as well Māori

    journalism students, their tutors and interested parties whose work involves Māori issues or Māori media and

    communications.

    Waiariki Institute of Technology is committed to hosting a milestone event to mark more than 25 years of bicultural

    journalism training in Aotearoa-New Zealand.

    For more information, contact Craig Tiriana, Co-ordinator Mass Communications, Waiariki Institute of Technology, on

    phone +64 7 346 8999, direct dial +64 7 346 8679, fax +64 7 346 8768 or email Craig.Tiriana@waiariki.ac.nz.

    Maori Television Announces Changes

    Maori Television also announced two key appointments to its Executive team.   Veteran television broadcaster CAROL

    HIRSCHFELD (Ngāti Porou) is promoted to the newly created position of General Manager Production and former TVNZ

    Deputy Chief Executive STEPHEN SMITH to the newly created position of General Manager Digital.

    The establishment of the two new positions are part of a company-wide reorganisation that sees Maori Television move

    from a traditional broadcaster infrastructure to a more fit-for-future model. Both positions report to the Chief Executive.

    With almost 25 years’ experience in the television industry CAROL HIRSCHFELD has worked as a news reporter, presenter,

    director, producer and executive producer. Carol joined Maori Television two years ago as the Head of Programming for

    the Maori Television channel. Prior to her appointment, Carol was with TV3 for 11 years where she co-presented 3 News

    and was an executive producer of Campbell Live.

    STEPHEN SMITH rose to the position of Deputy Chief Executive and Head of Content at TVNZ after 16 years before leaving

    in 2006 to become Head of Media Entertainment for Vodafone. Stephen was then appointed Group Head of Digital for

    Fairfax Media, where he had oversight for the re-launch of their websites including www.stuff.co.nz.

    Chief Executive, Jim Mather, acknowledges the experience and skill set that Hirschfeld and Smith bring to Maori

    Television’s Executive team.

    “Carol and Stephen bring a wealth of industry knowledge to their new roles. These are significant appointments for Maori

    Television and will add further leadership depth and expertise to our organisation. Both bring with them a personal

    commitment to Maori Television’s kaupapa to revitalise Māori language and culture through our broadcast and online

    content,” he said.

    The reorganisation, which comes into effect on 1 July, accommodates the implementation of Maori Television’s digital

    strategy and the further development of the Te Reo channel.

    Te Kaea Moves

    Maori Television, is revamping its news section with flagship news programme TE KAEA moving to 5.30pm on Monday 4

    July.   The move gives viewers the opportunity to watch news from a Maori perspective directly before the mainstream

    6pm bulletins.

    New weather graphics and subtle changes to the news set will also be launched as part of the move to the new timeslot.

    General Manager of News and Current Affairs, Te Anga Nathan, says the reasons for moving TE KAEA to an earlier time slot

    were threefold, firstly to be among one of the first news bulletins to air each evening competing head to head with Prime

    News, secondly to be exposed to a wider viewing audience, and to allow for the 7.30pm bulletin to be subtitled in English

    for non-Maori language speakers.

    “It’s clear that Maori viewers want to watch Maori news and mainstream news programmes, moving TE KAEA to 5:30pm

    allows viewers to look into the Maori world directly before the 6pm bulletins – so they get the best of both words.”

    TE KAEA will now replay on Maori Television twice at 7.30pm and 11pm with English subtitles and at 10:30pm on the Te

    Reo channel. The 5.30pm addition will give TE KAEA four plays across the two channels each day.

    With TE KAEA moving to the earlier time comes amendments to other programmes as well.

    Maori language youth entertainment show HAA, from 4 July, will now screen at 6.30pm weekdays and TOI WHAKAARI –

    TE MATATINI 2009 will screen at 5pm.

    New Commissioner for Maori Television

    Haunui Royal, General Manager announced the appointment of Taima Anne Murray (Annie) of Te Arawa, to the position

    of Commissioner within the Programming department.  He says, Annie is a highly experienced commissioner, having

    previously worked for TVNZ, specializing in children’s special interest and documentaries. She has worked as a contracts

    and budget manager with New Zealand on Air and as a consultant to the independent production sector for a number of

    years. Annie brings a wealth of knowledge and experience to Māori Television and we welcome her as a valuable member

    of the Commissioning team.

    Te Mangai Paho

    This statement by Te Mangai Paho answers a question that is often asked by Producers and those producing programmes

    which are presented to Te Mangai Paho for funding.

    Scope of TMP Funding Assessment Critique

    We have received some questions about the scope of critique that Assessment Panelists may venture into as

    part of the assessment process.

    The answer to this is that our assessment process looks at the full scope of the proposal including the details

    of the production company and the merits of the programme concept and treatment.

    This is clearly set out in the assessment criteria published in our RFPs. TMP does not editorialise in its

    decisions, the primary factors upon which TMP bases its decisions are risk and language. If TMP is to be

    responsible for administering and managing the risk it needs to be able to decide who represents an acceptable risk.

    Where the Assessment Panel believes that changes are required to better serve our objectives, it may

    recommend accordingly. These will encompass a thorough review of the project including the concept and

    treatment.

    Te Mangai Paho is statutorily empowered to set the terms and conditions for funding in pursuit of its statutory

    aims. If the approved funding (sometimes with further terms and conditions as the Board sees fit) is accepted by the

    producer, from that point on, only the broadcaster may exercise external editorial comment over the

    production. TMP exercises no editorial control and relies totally on the broadcaster’s advice that it accepts the

    programme and language in terms of making contract payments.

    Launch Of The AFTAS

    Formerly known as the Qantas Film and Television Awards, the Awards are back in 2011 but with a fresh look and a new

    name that better reflects the nature of the Awards – the Aotearoa Film & Television Awards (AFTAs).

    Approximately sixty AFTAs will be awarded between the two Awards ceremonies, and a complete list of award categories

    and criteria are available on the AFTA website www.afta.co.nz.

    With the very strong slate of films and television programmes produced in New Zealand over the past year, organisers

    expect this year’s Awards to be the most hotly contested in years.

    The key dates for the 2011 Awards are:

    Entries open:   Monday, 27 June

    Entries close:   Wednesday, 10 August

    Finalists Announcement: Friday, 14 October

    Craft Awards:  Thursday, 10 November

    Gala Awards:  Saturday, 12 November

    Regular followers of the Film and Television Awards will notice that the Awards have been moved back by about eight

    weeks from their normal timing in early September.  This is a one-off change which recognises the Rugby World Cup

    activities in New Zealand across most of September and October.

    The Awards continue to be administered jointly by The Screen Directors’ Guild of New Zealand and ThinkTV (formerly the

    New Zealand Television Broadcasters’ Council).

    For further information regarding entries, go to the website or contact Clare Kelly or Emily Broadley via email at

    afta@tcc.co.nz  or by telephone on +649 360 1240.

    Mahi/Situations Vacant

    Junior Broadcast Graphics Operator/Designer

    Māori Television seeks a Junior Graphic Designer.  This entry level design and operator role requires an innovative self-

    starter. You will help design templates for various TV productions and in the operator role, recall and maintain these

    templates in the studio.     The successful candidate will have a tertiary level education or higher in graphic design and will

    hold their own design portfolio or show reel.

    You already possess good working knowledge of Adobe Photoshop and After Effects. You are a well organised team player,

    able to meet pressured design deadlines, able to work in a “live” studio environment and able to follow brand guidelines.

    In addition to this, you have high level attention to detail, good time keeping skills, administrative skills and you are able to

    multi task and multi role as required.   The successful applicant will be provided with training in broadcast design,

    broadcast software/hardware and Te Reo Maori but knowledge of 3d Studio Max, Microsoft Access, and Te Reo Māori will

    be an advantage.

    This role involves shift work including weekends and late shifts.

    Applications close 5.00pm, 8th July 2011.

    News Archive Librarian

    Maori Television has an exciting new opportunity for a full time position in the News Archive Library in Auckland the

    successful applicant will become a member of a small close knit team which operates 7 days a week providing a high level

    of service to library users.   Responsibilities will include sourcing and supplying appropriate footage for journalist’s requests

    in an efficient and timely manner, viewing and cataloguing footage and maintaining documentation databases and

    archives.

    The ideal person must be available to work weekends and be comfortable with technology, possess excellent

    communication and organisational skills be of reliable and trustworthy character and have experience in Television and

    Library however full training can be given. An understanding of tikanga and te reo Māori is a strong preference for this role.

    Applications close midday Friday 15th July 2011

    Commercial Scheduler/Sales Support

    Māori Television is seeking a high energy individual to join the sales team.

    As a commercial scheduler your primary objectives will be to manage the station’s commercial inventory and to provide

    support to the sales team.   The successful applicant will be responsible for maintaining the sales program and database,

    processing schedules and monitoring performance, liaising with external clients and other internal departments.

    You will have excellent communication and administration skills, and have a working knowledge of Microsoft Office. Good

    attention to detail, time management skills and an interest in advertising and broadcasting is a must!  Previous sales or

    advertising experience, an understanding of te reo and tikanga Māori and an aptitude for technology will be an advantage

    but not essential as full training will be provided as well as career development opportunities.

    This is an entry level position, it will be an excellent opportunity for a graduate or someone returning to work but all

    applications are welcome.

    Applications close Tuesday 12th July 2011 midday at 12pm

    Pūmanawa Tangata Department, Māori Television, PO Box 113 017, Newmarket Auckland or email

    hr@maoritelevision.com

    Jobs @ TVNZ

    Campaign Producer

    Auckland

    Creative Producer – Promotions

    Auckland

    Junior Creative Producer – 12 month Fixed Term

    Auckland

    PA / Team Coordinator

    Auckland

    Ratings Prediction Analyst

    Auckland City

    Technology Development & Solutions Manager

    Auckland

    Check out TVNZ Jobs website for more details.

    Radio New Zealand

    Chief Reporter, Māori News , He Kaikawe Kōrero Matua

    Radio NZ

    Closing Date : 04 Jul 2011

    MIKA

    And for some outstanding, some may say outrageous, colourful entertainment news check out MIKA on

    www.mika.co.nz ….there was way too much for me to publish but it is so refreshing, interesting and

    informative.  Not to mention colourful – all did I already say that.


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    Nga Aho Whakaari Newsletter: A Tribute to Merata Mita

    Please upload the attached PDF file for the latest newsletter of NGA AHO WHAKAARI MAORI IN FILM & TELEVISION:

    DOWNLOAD FILE HERE

    Thanks to the Wairoa Maori Film Festival for assisting with PDF File hosting.


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